Sal Khan

Instead of being the entry-level writer, the world is going to need more editors, more people who can put things together. But no one wants an editor or a software architect who can't write or code as well as the junior writers or the junior software engineers. So I think it's still an imperative for people to learn their traditional academic skills. In fact, maybe better than in the past.

Instead of being the entry-level writer, the world is going to need more editors, more people who can put things together. But no one wants an editor or a software architect who can't write or code as well as the junior writers or the junior software engineers. So I think it's still an imperative for people to learn their traditional academic skills. In fact, maybe better than in the past.

Instead of being the entry-level writer, the world is going to need more editors, more people who can put things together. But no one wants an editor or a software architect who can't write or code as well as the junior writers or the junior software engineers. So I think it's still an imperative for people to learn their traditional academic skills. In fact, maybe better than in the past.

Instead of being the entry-level writer, the world is going to need more editors, more people who can put things together. But no one wants an editor or a software architect who can't write or code as well as the junior writers or the junior software engineers. So I think it's still an imperative for people to learn their traditional academic skills. In fact, maybe better than in the past.

Instead of being the entry-level writer, the world is going to need more editors, more people who can put things together. But no one wants an editor or a software architect who can't write or code as well as the junior writers or the junior software engineers. So I think it's still an imperative for people to learn their traditional academic skills. In fact, maybe better than in the past.

And maybe the AI can help there. And then be able to leverage these tools in whatever they're actually doing.

And maybe the AI can help there. And then be able to leverage these tools in whatever they're actually doing.

And maybe the AI can help there. And then be able to leverage these tools in whatever they're actually doing.

And maybe the AI can help there. And then be able to leverage these tools in whatever they're actually doing.

And maybe the AI can help there. And then be able to leverage these tools in whatever they're actually doing.

Yeah. I mean, this is the other fear that folks have is that, I mean, I could go on to any of these generative AIs and say, hey, write a screenplay for me or create an art piece in the style of whatever. And it'll bam, it was just there. And so everyone's afraid, like, oh my God, this is the end of creativity. I'll say a couple of things.

Yeah. I mean, this is the other fear that folks have is that, I mean, I could go on to any of these generative AIs and say, hey, write a screenplay for me or create an art piece in the style of whatever. And it'll bam, it was just there. And so everyone's afraid, like, oh my God, this is the end of creativity. I'll say a couple of things.

Yeah. I mean, this is the other fear that folks have is that, I mean, I could go on to any of these generative AIs and say, hey, write a screenplay for me or create an art piece in the style of whatever. And it'll bam, it was just there. And so everyone's afraid, like, oh my God, this is the end of creativity. I'll say a couple of things.

Yeah. I mean, this is the other fear that folks have is that, I mean, I could go on to any of these generative AIs and say, hey, write a screenplay for me or create an art piece in the style of whatever. And it'll bam, it was just there. And so everyone's afraid, like, oh my God, this is the end of creativity. I'll say a couple of things.

Yeah. I mean, this is the other fear that folks have is that, I mean, I could go on to any of these generative AIs and say, hey, write a screenplay for me or create an art piece in the style of whatever. And it'll bam, it was just there. And so everyone's afraid, like, oh my God, this is the end of creativity. I'll say a couple of things.

One, this isn't the first time in history something like this has happened. And I write about this in my book, Brave New Words, is in the 19th century, when the camera came out, I am sure a lot of portrait artists said, oh my God, this is cheating. This thing, you just press a button. and it does essentially a real life picture of it, but all of the artistry is gone.

One, this isn't the first time in history something like this has happened. And I write about this in my book, Brave New Words, is in the 19th century, when the camera came out, I am sure a lot of portrait artists said, oh my God, this is cheating. This thing, you just press a button. and it does essentially a real life picture of it, but all of the artistry is gone.

One, this isn't the first time in history something like this has happened. And I write about this in my book, Brave New Words, is in the 19th century, when the camera came out, I am sure a lot of portrait artists said, oh my God, this is cheating. This thing, you just press a button. and it does essentially a real life picture of it, but all of the artistry is gone.

One, this isn't the first time in history something like this has happened. And I write about this in my book, Brave New Words, is in the 19th century, when the camera came out, I am sure a lot of portrait artists said, oh my God, this is cheating. This thing, you just press a button. and it does essentially a real life picture of it, but all of the artistry is gone.

One, this isn't the first time in history something like this has happened. And I write about this in my book, Brave New Words, is in the 19th century, when the camera came out, I am sure a lot of portrait artists said, oh my God, this is cheating. This thing, you just press a button. and it does essentially a real life picture of it, but all of the artistry is gone.