Sam Roberts

You know, and then, but then you see him and there's nothing out of place about it.

Right.

I mean, I know the answer because I was in the room with you.

Did you have moments where you were like, it's happening?

Yes.

Fowler's getting it.

I know you did.

He had those moments where he'd hit you with the gun.

That like whatever it's called, where he goes for the sleeper and slams you down the drop kick with the two, you know, where he lands on his back going into the corner.

And he's so I mean, the way this dude moves when he kicks you into the corner and as you're coming off of the corner, he doesn't take that moment to like wait until you are on the mat and then look at the crowd and go, should I do it, gang?

Should I?

Yeah.

OK, let me get out of the ring and go to the top rope.

It's like this fluid, poetic motion where he kicks you, you hit the turnbuckles, as you're falling down on your back, he's already leaving the ring to get to the top rope.

And the reason is because the speed that it's all happening, you're like, oh my God, oh my God, oh my God.

And then he hits that coup de grace perfectly.

And it really was this like, what if...

But what if is where it ends.

Well, that's yeah.

And the best is that like all you need is one to actually happen.