Sarah Edmondson

And did that tell you?

There were so many things.

And one of the things that we talk about with our guests when they come on the podcast when they're leaving, it's never necessarily one thing.

It's a whole bunch of little things, moments, interactions, thoughts that you put on a metaphorical shelf.

And then often there is the last thing that causes the shelf to break, but it's not one thing.

I mean, the the moment when I was able to piece it all together and see the full picture was after a series of of those moments, a couple of months of and really 12 years of things that I couldn't reconcile.

Like, why is Keith walking into this event with two women beside him?

Oh, that must be his executive team.

Oh, you know, like just all these all of these things that were like, that's weird.

And why is everybody late coming back from lunch?

They must be busy.

Oh, never wouldn't think that they were all going to have threesomes while we were all doing training sessions, you know, like that found out later.

Right.

So all of these things came to a head when Mark Vicente and I, and keep in mind, Mark Vicente is the filmmaker who brought me in.

Yeah.

So he, in those two months where things were like falling apart, his wife had left.

And this is in The Vow.

Not so much in my book, but in The Vow, she'd left.

And sidebar, my inside voice was like, yay, Bonnie, go back to LA, pursue acting.

That's what you should be doing.