Seth Rogen

It's all the structure. Math. And it's not even the jokes. It's the order of the scenes and the raising of the stakes. That to me is what I would want to do with a show.

It's all the structure. Math. And it's not even the jokes. It's the order of the scenes and the raising of the stakes. That to me is what I would want to do with a show.

It's like never rhythmic. That's what we'd always tell the composer. We're just like, never have it settle into a rhythm. Whenever it feels rhythmic, it would get boring. Always make it a little off and uneasy.

It's like never rhythmic. That's what we'd always tell the composer. We're just like, never have it settle into a rhythm. Whenever it feels rhythmic, it would get boring. Always make it a little off and uneasy.

It's like never rhythmic. That's what we'd always tell the composer. We're just like, never have it settle into a rhythm. Whenever it feels rhythmic, it would get boring. Always make it a little off and uneasy.

You don't have to wait for an editor to assemble it. Yeah, exactly. I was honestly really nervous about how we were shooting the show. And I would talk to my wife, Lauren, a lot about it. I talked to Evan a lot about it. The first few weeks, especially, I was just like, are we fucking up? Are we making a mistake? Are we so up our own fucking ass? with this that were just sacrificing comedy.

You don't have to wait for an editor to assemble it. Yeah, exactly. I was honestly really nervous about how we were shooting the show. And I would talk to my wife, Lauren, a lot about it. I talked to Evan a lot about it. The first few weeks, especially, I was just like, are we fucking up? Are we making a mistake? Are we so up our own fucking ass? with this that were just sacrificing comedy.

You don't have to wait for an editor to assemble it. Yeah, exactly. I was honestly really nervous about how we were shooting the show. And I would talk to my wife, Lauren, a lot about it. I talked to Evan a lot about it. The first few weeks, especially, I was just like, are we fucking up? Are we making a mistake? Are we so up our own fucking ass? with this that were just sacrificing comedy.

That was my real fear. I was like, are we making it less funny in service of this style? And I kept being like, no, I really think we thought of this because it would be additive to the tone and the comedy. And then I saw it cut together and I was like... Thank fucking God. And I was so excited about it, so happy by it. And yeah, when we finished the Wonder episode, I was really happy.

That was my real fear. I was like, are we making it less funny in service of this style? And I kept being like, no, I really think we thought of this because it would be additive to the tone and the comedy. And then I saw it cut together and I was like... Thank fucking God. And I was so excited about it, so happy by it. And yeah, when we finished the Wonder episode, I was really happy.

That was my real fear. I was like, are we making it less funny in service of this style? And I kept being like, no, I really think we thought of this because it would be additive to the tone and the comedy. And then I saw it cut together and I was like... Thank fucking God. And I was so excited about it, so happy by it. And yeah, when we finished the Wonder episode, I was really happy.

And Sarah Pauly is someone I've known a very long time. I was in a movie she directed 15 years ago or something like that. And she's such a funny person and such a funny actor. Go was one of mine and Evan's favorite movies. It was inspirational to us. It's wild and frenetic. Exactly. I think Pineapple Express is very inspired by Go and Dawn of the Dead. I was just always a huge fan of hers.

And Sarah Pauly is someone I've known a very long time. I was in a movie she directed 15 years ago or something like that. And she's such a funny person and such a funny actor. Go was one of mine and Evan's favorite movies. It was inspirational to us. It's wild and frenetic. Exactly. I think Pineapple Express is very inspired by Go and Dawn of the Dead. I was just always a huge fan of hers.

And Sarah Pauly is someone I've known a very long time. I was in a movie she directed 15 years ago or something like that. And she's such a funny person and such a funny actor. Go was one of mine and Evan's favorite movies. It was inspirational to us. It's wild and frenetic. Exactly. I think Pineapple Express is very inspired by Go and Dawn of the Dead. I was just always a huge fan of hers.

And then I worked with her and I'm just like, she's one of the funniest fucking people I've ever been around.

And then I worked with her and I'm just like, she's one of the funniest fucking people I've ever been around.

And then I worked with her and I'm just like, she's one of the funniest fucking people I've ever been around.

And she like nailed it. She couldn't have been funnier. Yeah, that was the thing with the show. We have a lot of non-actors on this show. Filmmakers, writers, directors. That was another fear I had where it's like we're taking these non-actors and essentially asking them to do like the hardest thing. Now you got to be a part of this seven minute scene. Yeah, a play.

And she like nailed it. She couldn't have been funnier. Yeah, that was the thing with the show. We have a lot of non-actors on this show. Filmmakers, writers, directors. That was another fear I had where it's like we're taking these non-actors and essentially asking them to do like the hardest thing. Now you got to be a part of this seven minute scene. Yeah, a play.

And she like nailed it. She couldn't have been funnier. Yeah, that was the thing with the show. We have a lot of non-actors on this show. Filmmakers, writers, directors. That was another fear I had where it's like we're taking these non-actors and essentially asking them to do like the hardest thing. Now you got to be a part of this seven minute scene. Yeah, a play.