Seth Rogen

If you literally say one word wrong, we have to start over. And we got to have a 50 minute reset. Sometimes, yeah. Literally, we got to get back in the car.

If you literally say one word wrong, we have to start over. And we got to have a 50 minute reset. Sometimes, yeah. Literally, we got to get back in the car.

If you literally say one word wrong, we have to start over. And we got to have a 50 minute reset. Sometimes, yeah. Literally, we got to get back in the car.

To what you were saying, it did become like a real team effort. And those are also my least favorite moments on sets often is just you're sitting on an Apple box. The crew guys are on their phone because it's just, OK, now it's this shot. Now it's this shot. One out of 200 people feel like they're working. And that's kind of the person who's on camera. Then I've been in some movies.

To what you were saying, it did become like a real team effort. And those are also my least favorite moments on sets often is just you're sitting on an Apple box. The crew guys are on their phone because it's just, OK, now it's this shot. Now it's this shot. One out of 200 people feel like they're working. And that's kind of the person who's on camera. Then I've been in some movies.

To what you were saying, it did become like a real team effort. And those are also my least favorite moments on sets often is just you're sitting on an Apple box. The crew guys are on their phone because it's just, OK, now it's this shot. Now it's this shot. One out of 200 people feel like they're working. And that's kind of the person who's on camera. Then I've been in some movies.

I got to be in a Steven Spielberg movie. And he had these very elaborate shots sometimes where it was like, oh, no, it's all going to play in this one shot. And I would just see how the whole crew would come together and be so psyched about it. Yeah. Right.

I got to be in a Steven Spielberg movie. And he had these very elaborate shots sometimes where it was like, oh, no, it's all going to play in this one shot. And I would just see how the whole crew would come together and be so psyched about it. Yeah. Right.

I got to be in a Steven Spielberg movie. And he had these very elaborate shots sometimes where it was like, oh, no, it's all going to play in this one shot. And I would just see how the whole crew would come together and be so psyched about it. Yeah. Right.

Exactly.

Exactly.

Exactly.

And in this, even if you had two lines in the scene, it was so fun. You didn't feel like you were just window dressing or just waiting for your part. You were a part of a huge scene. And that was another reason that it was partially procedurally alluring to us.

And in this, even if you had two lines in the scene, it was so fun. You didn't feel like you were just window dressing or just waiting for your part. You were a part of a huge scene. And that was another reason that it was partially procedurally alluring to us.

And in this, even if you had two lines in the scene, it was so fun. You didn't feel like you were just window dressing or just waiting for your part. You were a part of a huge scene. And that was another reason that it was partially procedurally alluring to us.

I really, I think, have grown a better understanding of what is needed to accomplish these things and how much time it'll actually take and how much preparation it will actually take.

I really, I think, have grown a better understanding of what is needed to accomplish these things and how much time it'll actually take and how much preparation it will actually take.

I really, I think, have grown a better understanding of what is needed to accomplish these things and how much time it'll actually take and how much preparation it will actually take.

And so we're very prepared and it would get very discouraging at times in the shooting style where we would joke often that until sometimes like the seventh, eighth, ninth, tenth take of these long sequences, it's just not even fucking close. And we would be looking at each other being like, is this the one that we can't do?

And so we're very prepared and it would get very discouraging at times in the shooting style where we would joke often that until sometimes like the seventh, eighth, ninth, tenth take of these long sequences, it's just not even fucking close. And we would be looking at each other being like, is this the one that we can't do?