Seth Rogen

And so we're very prepared and it would get very discouraging at times in the shooting style where we would joke often that until sometimes like the seventh, eighth, ninth, tenth take of these long sequences, it's just not even fucking close. And we would be looking at each other being like, is this the one that we can't do?

Sometimes it's just the camera has to like latch on to the car and the fucking magnet keeps fritzing out. We're relying on technology to do what we want that isn't as reliable as you would hope it is sometimes. And sometimes it's just an actor keeps like missing the thing or tripping over the thing.

Sometimes it's just the camera has to like latch on to the car and the fucking magnet keeps fritzing out. We're relying on technology to do what we want that isn't as reliable as you would hope it is sometimes. And sometimes it's just an actor keeps like missing the thing or tripping over the thing.

Sometimes it's just the camera has to like latch on to the car and the fucking magnet keeps fritzing out. We're relying on technology to do what we want that isn't as reliable as you would hope it is sometimes. And sometimes it's just an actor keeps like missing the thing or tripping over the thing.

No. I feel comfortable saying this because he's my dear friend, but David Krumholz is in a few episodes of the show, and there's a very complicated sequence of me entering the Golden Globes. It literally starts in the limo, and then I walk the whole red carpet, and then I walk through the lobby.

No. I feel comfortable saying this because he's my dear friend, but David Krumholz is in a few episodes of the show, and there's a very complicated sequence of me entering the Golden Globes. It literally starts in the limo, and then I walk the whole red carpet, and then I walk through the lobby.

No. I feel comfortable saying this because he's my dear friend, but David Krumholz is in a few episodes of the show, and there's a very complicated sequence of me entering the Golden Globes. It literally starts in the limo, and then I walk the whole red carpet, and then I walk through the lobby.

Exactly, and then I walk through the ballroom. I'm interacting with a bunch of people throughout it, Adam Scott's in it, and Ike, and O'Hara, and all these people, and the last moment is me and Krumholz, and it's like a three-line exchange.

Exactly, and then I walk through the ballroom. I'm interacting with a bunch of people throughout it, Adam Scott's in it, and Ike, and O'Hara, and all these people, and the last moment is me and Krumholz, and it's like a three-line exchange.

Exactly, and then I walk through the ballroom. I'm interacting with a bunch of people throughout it, Adam Scott's in it, and Ike, and O'Hara, and all these people, and the last moment is me and Krumholz, and it's like a three-line exchange.

And there's 500 extras, cars, limos, all this shit.

And there's 500 extras, cars, limos, all this shit.

And there's 500 extras, cars, limos, all this shit.

And I will say God bless him because I would tell the actors, look, If you genuinely think you've thought of something that is better than what we've written or additive and it comes to you in the moment, I want you to do it because I don't want it to be too rigid and I want it to feel alive. But just know, if it's not good, it's fucked up everything. Workshop it in the mega trailer.

And I will say God bless him because I would tell the actors, look, If you genuinely think you've thought of something that is better than what we've written or additive and it comes to you in the moment, I want you to do it because I don't want it to be too rigid and I want it to feel alive. But just know, if it's not good, it's fucked up everything. Workshop it in the mega trailer.

And I will say God bless him because I would tell the actors, look, If you genuinely think you've thought of something that is better than what we've written or additive and it comes to you in the moment, I want you to do it because I don't want it to be too rigid and I want it to feel alive. But just know, if it's not good, it's fucked up everything. Workshop it in the mega trailer.

I'm trusting you to gauge in your own head whether or not you think I will think it's good enough to warrant this risk you're taking. And Dave several times was just improvising stuff. And even he would do it.

I'm trusting you to gauge in your own head whether or not you think I will think it's good enough to warrant this risk you're taking. And Dave several times was just improvising stuff. And even he would do it.

I'm trusting you to gauge in your own head whether or not you think I will think it's good enough to warrant this risk you're taking. And Dave several times was just improvising stuff. And even he would do it.

he is one of my favorites and he's spectacular in your show he's so good on the show he's one of the best and then he nailed it i think some of our moments are some of the best moments of the show and we would put him in it more after that because it is so alive and you do feel like i don't quite know what he's gonna do and at its worst the show in the earlier takes that was always to me the scary zone is we would start to get it but it would just feel sort of rigid because everyone was too focused on hitting the mark and the timing and the camera point they're