Simone Giertz

I think it's a combination of it.

I mean, I think of it as acting sometimes, but I only play the role of myself.

But of course, it's like when you're shooting something for the seventh time, like you have to be able to muster that enthusiasm.

But no, it's not a kind of think of everyday life me as a watered down version of the YouTube version.

It's like,

Yeah, it's a push.com version.

No, it's just like add two parts water if you have me.

But like on YouTube, it's just so condensed because you have jump cuts and, you know, like I'll scrape jokes and make sure that everything lands and there's music and stuff.

And then like in real life, you don't have any of that, but it's still me.

I mean, I remember the breakfast robot, which was my second project, was a challenging one.

Yeah, it's a robot that like pours milk and cereal and feeds me with a spoon.

I was mostly challenging because it was so like everything had to be in the right location and there were so many takes before I got everything right.

And by right, I mean it makes an absolute mess.

Yeah, that one was challenging.

Probably 12, 10, something.

It's just a mess everywhere.

It's a mess.

And also I use Cheerios for the cereals.

It's shot in my old bedroom in San Francisco.

And the floors were sticky for weeks afterwards.