Skip Atwater
speaker
289 appearances
1 recordings
1 series
first heard Jan 2025
last heard Jan 2025
Skip Atwater’s voice in public audio — every appearance, attributed to the second.
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Appearances
And he would take and show some of the results to his people at the CIA. And they started to think, both Kit Green and other people at CIA, was starting to think, how do we know that they're sticking with protocol? And how do we know that they don't have some other access to the targets that their remote viewers are getting?
So he decided he was, him, Kit Green, was going to come up with something that would prove to the other people that were watching questioning him. You know, this stuff is garbage. It doesn't work. It doesn't make any sense to us. He keeps telling him about it and everything.
So he decided what he was going to do is he was going to go to another friend of his in the CIA and go to him and say, I want you to give me a set of coordinates, geographic coordinates, that I have no knowledge of it. I know nothing about it. I don't know what it is.
and he said okay and he gave him the coordinates and he said so i don't know what this is that means nothing to me i don't recognize it as being the eiffel tower or anything and he says that's right you you won't know what this is so he passes that out to sri And Esserai comes back with this, it's a very elaborate description of this place.
He says it's very secret and guards and fences around it. And I went inside and I um looked through safes and on the wall this was written and uh opened up the safes and read what the words and names of the files were and end of session and so when he gets that back from sri he takes it over to his friend, whose name, by the way, was Dave, the CIA at that time. And he started laughing.
He says, this nonsense that you're doing, kid, it's just nonsense. It's ridiculous. And he said, what do you mean? He said, I built a cabin last year and fixed it. And I gave you the coordinates to the cabin. And he went to his other friends and said, this is what SRI told me. And they're all like, you gotta be kidding.
And he says, no, this is, he says, that's a real place and nobody knows about it. So he got in his car and he drove physically to the coordinates up in the mountains, found this guy's cabin. and said, what is going on here? This makes no sense at all. And he turned around and went down a hundred yards down the road. And there was a well-cut, well-groomed road.
And he turned up there and came over a ridge. And there was Sugar Grove. It was in the late 60s and 70s. The Navy's installation for monitoring Soviet satellites. Interesting. Which actually physically doesn't exist anymore. Never mind, that wasn't ever there, but we have pictures of it, and you can look up Sugar Drove online.
So, I need to try to add here, when he went in, he said everything had to do with The names on things and the files and so forth had to do with playing pool. There was a cue ball, a nine ball, an eight ball, and this and different kinds of shots and everything. And when he showed that to his other CIA friends, he said, all those are top secret classified limb discs Names.
Those are real names of a real project of Sugar Grove. And it was like, how did that happen? Well, because he had given, these were twists up a little bit, but I'll get back to it straight. He had given that to SRI and was expecting that either Halle Hammond or, Ingo Swann would do the job and they were going to look at it with one person and so forth and so on.
Turns out that Pat Price was hanging around. He said, you guys got something going on here? Here, I'll help. And he was that kind of a guy, you know. And it was Pat Price's work that wound up at Sugar Grove and read those names that were top secret password names for everything that that Navy installation did. And they immediately showed up in Kit Green's office, angry and mad.
And what did you do? And we're going to have to investigate this. There's a leak in your department here and this and that and the other thing. And he said, SRI did it out in California. And then as sort of a joke and an enthusiasm when Puthoff describes this thing going on.
He says, I'm trying to remember exactly what he says, every law enforcement person in California showed up at SRI because they were really angry about all this information leaking out. Well,
the point of this whole thing is all that stuff happened it's very well documented and what is it that when here was the target assigned by the coordinate and over here was sugar grove when he got sent here supposedly here's your coordinates describe what's there and, you know, put off and tired or trying to do their best and get good protocols and everything.
And it's a boring — I'm going to make up some words because I don't know what to say — it's boring. But they say, I wonder what in the hell that is over there. And so Pat Price goes over here and finds Sugar Grove. So I started thinking about this situation in remote viewing and everywhere, every when, how do you know that that is a thing of interest?
What is it that attracts you to that as opposed to following the rules? I want you to describe that cabin in the forest. That's what your job is. Here are your coordinates. And yet, he goes to Sugar Grove. Pretty much scares the bejesus about CIA and the Navy at that point in time. So I started thinking about that in terms of all the remote viewing I've done and many others.
If the theory of quantum non-locality is true, that there is no time and there is no space, what is that next step? I'm using this skull of mine, which makes no sense, but it's a good graphic. What is the next twist to that that gets the remote viewer to describe that interesting thing?
And how many times has that happened in the hundreds of thousands of remote viewings that are going on in the world? And somebody says, that doesn't make sense. We asked you to do such and such. And you did so and so. Did they give any thought to, why in the heck did he do so and so? He usually does really good work. Why did he describe that? I'm still chewing on that.
This is less than a month in my head about this particular interesting thing. How does that happen? When you wanted to go over to Project 8200, how did Pat Price go and look at those things? Nobody told him to go look at that. He just was that kind of a guy that was attracted to go look at those things. He says, when you talk to him, he was a policeman down in Burbank, he said,
You know, the detectives would come in and they would say this, that, and everything. And he said, I'd kind of roll my head back and say, well, you know, you really ought to check out this. You didn't tell me you guys checked on that. He said, okay. And he said he'd be unusually right about those every now and then. And so he kept headed in that direction.
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