Sykosan

Yeah. I think people would love to know a bit more about what the people would do those games, right? And how they do it. But we'll get to this, I'm sure.

Yeah. I think people would love to know a bit more about what the people would do those games, right? And how they do it. But we'll get to this, I'm sure.

They can be separate. But I would say definitely an animator is also an artist. You have to look at animators, I think, a little bit more like actors in movies, right? You would say of an actor that they are artists, right? They don't paint. They don't make music. They act. That's what they do. And that's what animators do. That's how often I describe it to people as an animator.

They can be separate. But I would say definitely an animator is also an artist. You have to look at animators, I think, a little bit more like actors in movies, right? You would say of an actor that they are artists, right? They don't paint. They don't make music. They act. That's what they do. And that's what animators do. That's how often I describe it to people as an animator.

They can be separate. But I would say definitely an animator is also an artist. You have to look at animators, I think, a little bit more like actors in movies, right? You would say of an actor that they are artists, right? They don't paint. They don't make music. They act. That's what they do. And that's what animators do. That's how often I describe it to people as an animator.

I'm like the actor on the set, except that instead of acting things live, it just takes hours and hours of drawing frames after frames to get the same result. But we kind of act things out. For example, when I have a shot to do, I just...

I'm like the actor on the set, except that instead of acting things live, it just takes hours and hours of drawing frames after frames to get the same result. But we kind of act things out. For example, when I have a shot to do, I just...

I'm like the actor on the set, except that instead of acting things live, it just takes hours and hours of drawing frames after frames to get the same result. But we kind of act things out. For example, when I have a shot to do, I just...

get off my chair and then maybe i'll film myself and i'll try to act out the scene to see how it is so i become the actor and then i try to translate that into drawings so yeah it's very much an art now however you don't need to draw necessarily particularly since 3d in fact well if you if you're doing 2d animation you need to do how to know how to draw obviously but if you're a 3d animator you you

get off my chair and then maybe i'll film myself and i'll try to act out the scene to see how it is so i become the actor and then i try to translate that into drawings so yeah it's very much an art now however you don't need to draw necessarily particularly since 3d in fact well if you if you're doing 2d animation you need to do how to know how to draw obviously but if you're a 3d animator you you

get off my chair and then maybe i'll film myself and i'll try to act out the scene to see how it is so i become the actor and then i try to translate that into drawings so yeah it's very much an art now however you don't need to draw necessarily particularly since 3d in fact well if you if you're doing 2d animation you need to do how to know how to draw obviously but if you're a 3d animator you you

In the ideal scenario, you're given a character that's entirely set up, rigged. And in video games, it's the same. You have to do these animations, and the character could be prepared for animation. And when you come in, you have a sort of setup of tools to move the face, to move the arms and legs. and that's when you come in and make everything move. And you don't need to draw at all.

In the ideal scenario, you're given a character that's entirely set up, rigged. And in video games, it's the same. You have to do these animations, and the character could be prepared for animation. And when you come in, you have a sort of setup of tools to move the face, to move the arms and legs. and that's when you come in and make everything move. And you don't need to draw at all.

In the ideal scenario, you're given a character that's entirely set up, rigged. And in video games, it's the same. You have to do these animations, and the character could be prepared for animation. And when you come in, you have a sort of setup of tools to move the face, to move the arms and legs. and that's when you come in and make everything move. And you don't need to draw at all.

You may never have used a pencil before and still be a great, great animator. But often it's understood that the principles of 2D animation that we've developed through the years early are simply translated into 3D. And they learn the same lessons. They learn the same approach. The keyframe approach to animation is 12 principles of animation used in the US, particularly. I'm French.

You may never have used a pencil before and still be a great, great animator. But often it's understood that the principles of 2D animation that we've developed through the years early are simply translated into 3D. And they learn the same lessons. They learn the same approach. The keyframe approach to animation is 12 principles of animation used in the US, particularly. I'm French.

You may never have used a pencil before and still be a great, great animator. But often it's understood that the principles of 2D animation that we've developed through the years early are simply translated into 3D. And they learn the same lessons. They learn the same approach. The keyframe approach to animation is 12 principles of animation used in the US, particularly. I'm French.

Yeah. I mean, like, if I want to do good animation, if you're talking about a scene where a lot is happening, it's not just a mouth moving. It will take me about a month to do about 10 seconds of animation.

Yeah. I mean, like, if I want to do good animation, if you're talking about a scene where a lot is happening, it's not just a mouth moving. It will take me about a month to do about 10 seconds of animation.

Yeah. I mean, like, if I want to do good animation, if you're talking about a scene where a lot is happening, it's not just a mouth moving. It will take me about a month to do about 10 seconds of animation.