Tim Key

Yeah.

It rattles you because, I mean, the day before I'd seen some crime and we can't really dwell on that.

We can't.

Damn it.

So there's a sort of feeling of unease and a feeling that there's something up in London, you know.

And then I'd read a tweet by Thomas Skinner from The Apprentice saying that London's not what it used to be and they should be tougher on it.

Yeah, okay.

People are ringing on doorbells at 4.35, Bosch.

I think that would add another layer if the person calling in at 4.35 is David Adopte.

Yeah, I'd say it's an uneasy sleep until, well, a sort of fitful, maybe three hours.

Wow.

Wow.

No, I'm just, I mean, I don't know.

Come on.

I would imagine probably typing the name of our film in and sort of seeing it's the Loots, right?

Yeah, pretty good.

I was buoyed from the night before, which almost gets into what I did yesterday, but it doesn't quite.

Well, if I'm emotional from the night before, can I say why I was emotional?

So we had a screening of the film.

We'd made a film, me and Tom Basden, called The Ballad of Wallace Island.