Tim Ross

Oh, no, that's amazing.

I mean, that's an amazing idea for a launch, isn't it?

Kind of inflating, kind of, you know, the thing appears before your eyes.

You have done your research, Tim.

Actually, I was just writing it off the swing tag.

Ah, yeah, no.

OK, so here's the question.

Do you think that because he designed it in the shower that he designed it for use in the shower?

Doesn't say that on the swing tag.

Oh.

We'd like to thank our friends and fellow design lovers at Space Furniture in supporting this podcast.

When you made a piece for the Venice Biennale, it was more a piece of cabinetry, wasn't it, than a building?

Yeah, back to the future.

No.

Yeah, I think one person will get the mask and the next person will get the piece of glass.

And isn't that good?

Yeah.

I mean, something we talk about is this idea that every experience for building, every alteration, everything written about a building, every picnic held in its grounds,

hear the stories it does become richer so there is that initial attraction that draws in that human experience that's generated through being curious how do you find the space the time to focus on the things such a good matter given because you're running a business it's a huge number of people a lot of families mouths you're responsible for how do you do it

There's a time when the whole of the architectural world is, you know, when the world of clients is demanding CGI walkthrough, you know, visualisations, fantastic renders.