Tina Provis

She went to like, she went to like that cabin.

She did go and stay in the barn, but like a nice converted barn.

Because it had a studio in it of Marcus Mumford from Mumford and Sons, Carey Mulligan's husband, just because she wanted to go in- Immerse herself.

In a beautiful cabin.

Gave them a nice candle and stuff.

Why not?

Yeah.

Or she would go out and stay in a small house and stuff and really drill down her music.

And it's true, she's a billionaire anyway, but it's a much bigger gamble to take being a billionaire off your songwriting than being a billionaire of having a merch line.

Yeah, I think it discredits a lot of other people in the industry who are songwriters.

Obviously there are people who don't write their music and they're more leaning into pop or like, you know, I think of like the pop girls who are dancing and doing it out there.

Like it's definitely a different form of the art.

But I think you could still write music and be dedicated to your craft and have a fashion label because there are so many people in your team.

Like you just hire people to be in that.

Yeah, exactly.

And there's something like a lot of, particularly women, because obviously it's always women,

young actresses or singers who say that they either become a spokesperson for a brand or they put their name on a brand because it's income coming in.

And then they're covered to, like, go and make an indie movie that might not make a lot of money or release an album that might not be, like, radio playable or something like that.

Totally.

So a lot of layers.