Troy Baker

I love how I've always seen how Ellie and Dina plan.

I love how I've always seen how Ellie and Dina plan.

I can take a lot of them.

I can take a lot of them.

There's something really cool that you do visually where the stalker's eyes reflect with the flashlight.

There's something really cool that you do visually where the stalker's eyes reflect with the flashlight.

Just when you think they're not going to be able to get out of here. We hear that shotgun blast.

Just when you think they're not going to be able to get out of here. We hear that shotgun blast.

That moment, as you're describing with the way that you're shooting it, was that intentional?

That moment, as you're describing with the way that you're shooting it, was that intentional?

Now Jesse is in the equation, and there's, of course, the truth that he doesn't know yet that Dean is pregnant with his child.

Now Jesse is in the equation, and there's, of course, the truth that he doesn't know yet that Dean is pregnant with his child.

He does save them from one threat, but they quickly move from one threat into another.

He does save them from one threat, but they quickly move from one threat into another.

It was the whistle for me. It was also as you're taking cover, as they were taking cover in the foliage and just seeing the torches pass by. I was like, I mean, I am right there again.

It was the whistle for me. It was also as you're taking cover, as they were taking cover in the foliage and just seeing the torches pass by. I was like, I mean, I am right there again.

I love that you incorporated this. We've seen the after effects, but we've never actually seen it happen here. And this is what you choose to show.

I love that you incorporated this. We've seen the after effects, but we've never actually seen it happen here. And this is what you choose to show.

To show someone being disemboweled and to make that visceral is very challenging. But to go from that, now we have to, you've peaked, right? And now, how do I make an arrow to the knee have any impact whatsoever? And you immediately do. And you do it off camera and you do it silently. Which is what's great. It's just the pan over to look and looking down and there's the arrow.

To show someone being disemboweled and to make that visceral is very challenging. But to go from that, now we have to, you've peaked, right? And now, how do I make an arrow to the knee have any impact whatsoever? And you immediately do. And you do it off camera and you do it silently. Which is what's great. It's just the pan over to look and looking down and there's the arrow.