Troy Baker

We see this addiction take hold of her as she's snuck back into the hospital and here she is face to face with Nora.

We see this addiction take hold of her as she's snuck back into the hospital and here she is face to face with Nora.

You're talking about the moral certainty and that's based in the fact that Joel made this unforgivable sin by sacrificing humanity. to save essentially himself. But she does the same thing because she sees an opportunity to escape and save her own life. And what does she do? She breaks through the door to go down to B2.

You're talking about the moral certainty and that's based in the fact that Joel made this unforgivable sin by sacrificing humanity. to save essentially himself. But she does the same thing because she sees an opportunity to escape and save her own life. And what does she do? She breaks through the door to go down to B2.

Man, I gotta say, when we come around the corner and we see these things aspirating and there's this symbiosis between the host and the parasite that is working in concert together to achieve a goal.

Man, I gotta say, when we come around the corner and we see these things aspirating and there's this symbiosis between the host and the parasite that is working in concert together to achieve a goal.

Boy, when you add in just that one color palette, it just changes everything.

Boy, when you add in just that one color palette, it just changes everything.

You almost stuck the landing. I told you. I told you. I promised. Couldn't have done it better myself. This has been the official podcast for the HBO original series, The Last of Us. Our senior producer is Emmanuel Hapsis, our producer is Elliot Adler, and Darby Maloney is the editor. This episode was mixed by Raj Makija. Our executive producers are Gabrielle Lewis and Barry Finkel.

You almost stuck the landing. I told you. I told you. I promised. Couldn't have done it better myself. This has been the official podcast for the HBO original series, The Last of Us. Our senior producer is Emmanuel Hapsis, our producer is Elliot Adler, and Darby Maloney is the editor. This episode was mixed by Raj Makija. Our executive producers are Gabrielle Lewis and Barry Finkel.

Special thanks to Becky Rowe, Alison Cohen, Aaron Kelly, and Kenya Reyes from the Max podcast team. Production music is courtesy of HBO, and you can watch episodes of The Last of Us on Max. Make sure to join us next week, as Craig said, as we talk through season two, episode six. And until then, endure and survive.

Special thanks to Becky Rowe, Alison Cohen, Aaron Kelly, and Kenya Reyes from the Max podcast team. Production music is courtesy of HBO, and you can watch episodes of The Last of Us on Max. Make sure to join us next week, as Craig said, as we talk through season two, episode six. And until then, endure and survive.

welcome back to the official podcast for the hbo original series the last of us i'm troy baker and i'm joined as always with the showrunners of the hbo series craig mazen hello and neil druckman hi we are unpacking episode four of season two which is titled day one it was written by craig and directed by kate heron wonderfully

welcome back to the official podcast for the hbo original series the last of us i'm troy baker and i'm joined as always with the showrunners of the hbo series craig mazen hello and neil druckman hi we are unpacking episode four of season two which is titled day one it was written by craig and directed by kate heron wonderfully

Let me start off by saying I had no idea what to expect going into 204, and it might be my favorite episode so far.

Let me start off by saying I had no idea what to expect going into 204, and it might be my favorite episode so far.

I'm sure that I'm going to end up eating my words. But I was blown away. And what I loved about the opening of this is the vibe is completely different than anything else we've ever seen. We start on the inside of a Fedra truck. It's 2018 in Seattle, and we...

I'm sure that I'm going to end up eating my words. But I was blown away. And what I loved about the opening of this is the vibe is completely different than anything else we've ever seen. We start on the inside of a Fedra truck. It's 2018 in Seattle, and we...

We meet these gregarious soldiers that are going into battle, it seems, but just telling a funny story and laughing it up, which is something that we don't get to see a lot of in this world. And things quickly take a turn after the punchline when we meet a new character.

We meet these gregarious soldiers that are going into battle, it seems, but just telling a funny story and laughing it up, which is something that we don't get to see a lot of in this world. And things quickly take a turn after the punchline when we meet a new character.