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Vince Ricci

👤 Person
148 total appearances

Appearances Over Time

Podcast Appearances

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

It's like you get home and you don't have this buildup anxiety because you've fully let off all your creative juices. And I work with my wife. So it's not like a normal relationship where you go home and you say, oh, what'd you do today? If my wife had dad asked me what I did today, I'd be like, you knew what I did. I was with you all day. We spoke all day. But I love that.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

It's like you get home and you don't have this buildup anxiety because you've fully let off all your creative juices. And I work with my wife. So it's not like a normal relationship where you go home and you say, oh, what'd you do today? If my wife had dad asked me what I did today, I'd be like, you knew what I did. I was with you all day. We spoke all day. But I love that.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

If I come home and we have this transparent relationship and that's the way our entire team works. We have radical transparency.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

If I come home and we have this transparent relationship and that's the way our entire team works. We have radical transparency.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

I think that we had an opportunity a few years ago with somebody big to acquire a portion of the company. I decided not to do it. We spoke about that. Why I decided not to do it was because I still feel like I have so much control over the company and how we could pivot.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

I think that we had an opportunity a few years ago with somebody big to acquire a portion of the company. I decided not to do it. We spoke about that. Why I decided not to do it was because I still feel like I have so much control over the company and how we could pivot.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

We're very agile and we can go into what we want and I didn't want any other businesses' reputation to affect the culture of what we do. Nike bought us, for instance, as a creative agency. Adidas will never shoot with us again. Adidas shoots with us. None of these other shoe brands will shoot with us. Represent probably won't shoot with us.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

We're very agile and we can go into what we want and I didn't want any other businesses' reputation to affect the culture of what we do. Nike bought us, for instance, as a creative agency. Adidas will never shoot with us again. Adidas shoots with us. None of these other shoe brands will shoot with us. Represent probably won't shoot with us.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

And Represent is a huge emerging company that is killing the fitness space with their live activations and their content. They're great. Nothing bad to say about them. but they'll never shoot with me if Nike bought us. So we really have to be open to everybody. And I love being that person for this community. I'm such a fan of the arts.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

And Represent is a huge emerging company that is killing the fitness space with their live activations and their content. They're great. Nothing bad to say about them. but they'll never shoot with me if Nike bought us. So we really have to be open to everybody. And I love being that person for this community. I'm such a fan of the arts.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

I'm such a fan of fashion that being who we are for them, I couldn't ask for a better job. And I love it. I have no plan on exiting anytime soon.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

I'm such a fan of fashion that being who we are for them, I couldn't ask for a better job. And I love it. I have no plan on exiting anytime soon.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

So when you're creating these high-end assets as opposed to just user-generated assets or just something simple, you got to keep every single detail in mind. One, it has to be formatted to every single aspect that you're going to be able to market it. You know what I mean? Whether it's phone, digital, whatever way. You got lighting crews, digital crews, post-production crews, in-house crews.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

So when you're creating these high-end assets as opposed to just user-generated assets or just something simple, you got to keep every single detail in mind. One, it has to be formatted to every single aspect that you're going to be able to market it. You know what I mean? Whether it's phone, digital, whatever way. You got lighting crews, digital crews, post-production crews, in-house crews.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

Then you got 60 people on set. You have to feed all these people. You have to handle that. Then you have to create this environment that everybody feels super creative. That's a whole different experience. And when you're creating like that, and your photographer alone is a celebrity within themselves, because they should be, you're housing this magical moment.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

Then you got 60 people on set. You have to feed all these people. You have to handle that. Then you have to create this environment that everybody feels super creative. That's a whole different experience. And when you're creating like that, and your photographer alone is a celebrity within themselves, because they should be, you're housing this magical moment.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

Then create this thing that will live in time. When Billie Eilish shot in lingerie, She literally has only shot like that one time. That was there. It was a whole moment. It was weeks in advance of planning to make her comfortable, to make the team comfortable, to make everything happen, to have the highest end production possible. But it was a moment that will live in history.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

Then create this thing that will live in time. When Billie Eilish shot in lingerie, She literally has only shot like that one time. That was there. It was a whole moment. It was weeks in advance of planning to make her comfortable, to make the team comfortable, to make everything happen, to have the highest end production possible. But it was a moment that will live in history.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

You know, we were a part of that. So to create that moment costs money. It's a luxury tax. And you're guaranteed to get exactly what you want. You get married at the Beverly Hills Hotel because you get exactly what you want. You're going to pay, but they're going to do everything for you, and you're going to get exactly what you want. That's what it's like coming to Hubble Studios.

The Money Mondays
How We Went From a Beat-Up Van to 200+ Franchises w/ Nick Friedman & Vince Ricci 📈 EP113

You know, we were a part of that. So to create that moment costs money. It's a luxury tax. And you're guaranteed to get exactly what you want. You get married at the Beverly Hills Hotel because you get exactly what you want. You're going to pay, but they're going to do everything for you, and you're going to get exactly what you want. That's what it's like coming to Hubble Studios.