Viviane Carvalho da Annunciação
speaker
137 appearances
1 recordings
1 series
first heard Jul 2026
last heard 9 Jul
Viviane Carvalho da Annunciação’s voice in public audio — every appearance, attributed to the second.
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recordings per month · last 12 monthsRecordings per month over the last 12 months — 1 in all, peaking in Jul 2026 with 1.
Appearances
Of course, it is from Shakespeare.
Machado de Assis was him.
He began his career writing poetry, but also writing theatre.
It's also very Brazilian, this type of performance.
When you are under a patronage, some sort of system, you have to perform in a certain way that you're going to make your employer very much flattered.
And it's to call attention to the medium of the novel.
This is not reality.
You have to engage with this in some sort of way, because sometimes it's theory, there sometimes is.
damned reader or something like that I don't like yeah I don't like he read or like don't look up that in the dictionary don't tell Virgilio about this so there is like like yes so what do we do with this so he's he's always spoken you like yeah let's in the theater when you break the fourth wall and it's like yeah
Now you make your own decision about the novel, about the story, about society, about what you think of the world.
That is very... I think he changed it forever.
He gave us a body of work that will go on forever.
for another hundred years, and we could still be writing about the short stories.
There's still a lot to be written about his novels.
And I think it's a love and hate relationship.
So we have Mario Gendragi, who was one of our greatest modernist writers.
novelist.
He wrote in a very avant-garde style and he used to characterize Machado de Assis as this classic writer, very much a Greek, that wrote in the models of an European tradition.
But I would argue against that, especially in terms of science.
So Ana Claudia was talking about slavery, about the issue of race.
Showing 61–80 of 137 · page 4 of 7
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