Joy Clarkson and William P. Hyland discuss why the Oberammergau Passion Play disappoints and how artists have imagined Jesus’ crucifixion. The hosts and guests also discuss Joy’s visit to the Oberammergau passion play, its history, and the antisemitism that had marred it. They talk too about the most recent rewrite: the scriptwriter, as he removed the antisemitism, chose also to remove also any supernatural or religious content. They consider the changes in Medieval practices of piety – why was there such an increased emphasis on subjective compassion, emotional participation in the sufferings of Christ, after the turn of the millennium, and what was the origin of the increasing tendency to emphasize his humanity? Then, the guests recommend favorite pieces of art for Holy Week contemplation.

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