Menu
Sign In Search Podcasts Charts People & Topics Add Podcast API Pricing
Podcast Image

Archispeak

#362 - A Brutal(ist) Review

03 Mar 2025

Description

In this thought-provoking episode, Evan and Cormac engage in a spirited critique of "The Brutalist," with an in-depth analysis of cinema through an architect's lens. We explore how architectural principles like clarity, editing, and supporting a core concept apply equally to filmmaking. We discuss the dangers of creative overindulgence and the importance of restraint in both architecture and storytelling.Whether you're interested in film criticism, architectural theory, or simply enjoy hearing passionate professionals analyze creative work, this episode offers valuable insights into the intersection of different art forms.Episode Sponsor - TimberTechDiscover how TimberTech is redefining synthetic decking with precision-engineered materials that balance enduring aesthetics with superior performance and sustainability. TimberTech’s advanced technologies replicate natural wood’s allure while minimizing maintenance and environmental impact. Request samples, read case studies or download our architectural white paper here.Episode Links:Nosferatu (2024 film)The Green Knight (film)The Brutalist (film)Brady Corbet (director)The Man Behind the World’s Ugliest Buildings by Comedy CentralMarcel BreuerBrutalist ArchitectureBauhausEero SaarinenLouis KahnChristopher NolanInception (film)Modern Man by Anthony FlintPierre Jeanneret - Corbu’s cousin-----Have a question for the hosts? Ask it at AskArchispeak.comThank you for listening to Archispeak. For more episodes please visit https://archispeakpodcast.com.Support Archispeak by making a donation.

Audio
Featured in this Episode

No persons identified in this episode.

Transcription

This episode hasn't been transcribed yet

Help us prioritize this episode for transcription by upvoting it.

0 upvotes
🗳️ Sign in to Upvote

Popular episodes get transcribed faster

Comments

There are no comments yet.

Please log in to write the first comment.