A nervous woman glances over her shoulder. A lonely figure stares through a window. A young ingénue arrives in the city with a suitcase—and somehow, you already think you know what happens next.Between 1977 and 1980, Cindy Sherman created 69 black-and-white photographs inspired by the visual language of classic cinema. But these aren’t stills from real movies, and Sherman isn’t playing actual characters. She gives us costumes, poses, and familiar stereotypes—then lets our own cultural programming write the plots.In this episode of Art Happens: The Divine Mess of Art History, James explores how Untitled Film Stills turns the camera on Hollywood’s portrayals of women, the male gaze, and the audience itself. Sherman serves as photographer, director, stylist, performer, and subject—appearing in every image while somehow disappearing behind every role.Long before Instagram taught us to pose, crop, filter, and manufacture our identities, Sherman understood that photographs don’t simply show us who people are. They can teach us who we expect them to be.Cindy Sherman didn’t make the movies. She proved we’d already seen them.Send us a Note! Let us know what you think!J-Squared Atelier, LLCfor the love of artDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Send us a textDon't miss the video podcast version on Apple Podcasts, YouTube, and Spotify!!!Follow & Subscribe to Art HappensConnect with Us:J-Squared Aterlier (J2Atelier)🌐 Website: J2 Atelier📸 Instagram: @J2AtelierJames William Moore🌐 Website: James William Moore📸 Instagram: @the_jwmartistCatch Lattes & Art, our sister podcast—coffee-fueled conversations with artists about process, inspiration, and the beautiful mess behind the work.You can find it on Apple Podcasts, Spotify, ...

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