In this episode of Art Happens: The Divine Mess of Art History (presented by J-Squared Atelier), host James William Moore pulls back the curtain on the myth that art is “above politics.” Because history doesn’t back that up—when the world catches fire, artists don’t always whisper. Sometimes they make images so loud you can’t unsee them.In Behind the Brush: When Art Gets Political, we follow political art as witness, protest, and pressure—starting with Francisco Goya’s The Third of May 1808, a painting that refuses to romanticize war and instead stares brutality straight in the face. Then we jump to the 1980s, where the Guerrilla Girls weaponize anonymity, humor, and hard data to expose inequality inside the museum itself—turning visibility into a battleground.This episode breaks down what makes art political (hint: it’s not the style—it’s the intent), why institutions are never truly “neutral,” and how images can outlive their moment to ensure future generations can’t claim, “I didn’t know.”Because the point isn’t to be approved.The point is to be seen.J-Squared Atelier, LLCfor the love of artDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Send us a text Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you. Follow & Subscribe to Art HappensStay inspired with new episodes every week! Don’t miss out on deep conversations with artists, curators, and creators exploring the vibrant world of contemporary art. Connect with Us:J-Squared Aterlier (J2Atelier)🌐 Website: J2 Atelier📸 Instagram: @J2AtelierJames William Moore🌐 Website: James William Moore📸 Instagram: @the_jwmartistLeave a Review:Love what you hear? Help us grow by leaving a review on your favorite podcast platform! Your feedback keeps us inspired. 🎙️☕

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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