To make the most out of your listening experience, follow along with the episode's Wingman post on our Instagram: @artvirgins. Show Notes: In this episode, Sami and Zahra complete the Impressionism story. While last week's VR experience showed one evening in 1874 Paris, this episode reveals what happened before and after — spanning 12 years, eight exhibitions, and one art dealer who changed everything. Zahra becomes obsessed with Paul Durand-Ruel, the gambler who bet his fortune on rejected artists and invented the modern art market. From bankruptcy to buying everything Monet painted, from French mockery to American triumph, his story runs parallel to the movement he saved. Meanwhile, Sami walks through all eight Impressionist exhibitions (1874-1886), tracking how 30 struggling rebels became individual stars who no longer needed each other. Paint tubes, financial disasters, and the moment America said yes when France kept saying no. Highlights: 1874 Paris: Haussmann's reconstruction, the new middle class, and perfect timing How paint tubes (invented 1841) made outdoor painting possible — goodbye animal bladders Paul Durand-Ruel — the dealer who shaped modern art dealing and risked everything All eight Impressionist exhibitions: from 165 works to 246, rebellion to victory Why France laughed while America bought — cultural differences that changed art history Key artists: Monet, Renoir, Degas, Pissarro, Cézanne, Berthe Morisot, Alfred Sisley, Georges Seurat Seurat's "A Sunday Afternoon on La Grande Jatte" — millions of tiny dots How Impressionism became the first commercially viable art movement Post-Impressionism's birth: Cézanne, Van Gogh, Gauguin, Toulouse-Lautrec, and Modernism

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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