#012 - Andrew Ohanesian (LA Edition)

Welcome back to ARTMATTERS: The Podcast for ArtistsOn today's episode I speak with LA-based and Pierogi-represented artist, Andrew Ohanesian. We discuss hating a good idea, the beautiful bad idea, desperation, panic and 'that magic moment,' life reflecting the studio practice, communicating with an audience, experiencing art, memory, parring down narratives, the making of Mandies, control, being an artist assistant, the making of Dog Years and much more. Andrew Ohanesian was born 1980 in Southern California, received a BFA in Art from the University of California, Berkeley, and moved to New York City in 2005. His work spans large-scale site-specific installation, small mutiples and editions, with each series of work channeling an alternate version of himself, such as a lawyer, casino operator, or real estate agent to direct production accordingly. The ideas he chooses to investigate, criticize, and subsume are always topical to the economy and his personal navigation of life, often digging deeply into scars either visible or not - “pushing where it hurts.” He builds environments, strategically placing utilitarian soon-to-be anachronistic elements into the viewer's world to engage with under the auspices of using the object for its intended, manufactured purpose, but within the context of contemporary art. The experience is a nuanced slight-of-hand between the objects or space aggregated, the audience, and his psyche. Relationships between the person and the space, their ego, and what they deem as relatable or comfortable are questioned, disturbed, and shaken, altering their future perspective of their environment and themselves. If you're enjoying the podcast so far, please rate, review and subscribe and tell your friends!    If you have an art question you want answered, write in to [email protected] About the Podcast -    host: Isaac Wexler-Mannwww.isaacmann.cominsta: @isaac.mannguest: Andrew Ohanesian https://www.pierogi2000.com/artists/andrew-ohanesian/insta: @andrewohanesian 

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