Guests: Annette LePique, Curtis Anthony Bozif, Pia Singh, Gareth Kaye Recorded with the support of Columbia College Chicago - Colum.edu What happens when you gather a room full of critics in a moment when criticism itself feels both endangered and newly alive? In this long-awaited return to the Chicago Critics Roundtable, Duncan sits down with a new multi-hyphenate crew of writers, curators, artists, and exhibition-makers to unpack the shifting role of criticism in a fractured "art ecology." What emerges is a conversation about care, attention, subjectivity, labor, and the strange intimacy of thinking deeply about someone else's work. From the death of legacy media to the rise of Substack, from writing as love to writing as agitation, this episode positions criticism as a lived, embodied, and often obsessive practice. Criticism is relational, literary, emotional, and deeply entangled with the conditions of making and showing art in Chicago today, and certainly never "neutral". Name Drop List (with links) Duncan MacKenzie—https://kurasmackenzie.com/Brian Andrews—https://www.brianandrews.org/Annette LePique—https://sixtyinchesfromcenter.org/byline/annette-lepique/ Curtis Anthony Bozif—https://www.curtisanthonybozif.com/ Pia Singh—https://curatorsintl.org/collaborators/22319-pia-singh Gareth Kaye—https://chicagospleen.substack.com/ Derrick Guthrie—https://derrickguthrie.com/ Lane Relyea—https://www.artic.edu/authors/71/lane-relyea James Elkins—https://www.saic.edu/profiles/faculty/james-elkins Michelle Grabner—https://www.michellegrabner.com/ Lori Waxman—https://www.60inchcenter.org/lori-waxman Charles Baudelaire—https://www.poetryfoundation.org/poets/charles-baudelaire Dave Hickey—https://www.artforum.com/contributors/dave-hickey Werner Herzog—https://www.bfi.org.uk/filmography/werner-herzog Timothy Morton—https://www.timothymorton.net/ Rachel Carson—https://www.rachelcarson.org/Peter Schjeldahl—https://www.newyorker.com/contributors/peter-schjeldahl

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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