Embark on an enthralling expedition through the ever-evolving world of Native American art with our esteemed guest, Cannupa Hanska Luger. A Mandan, Hidatsa, Arikara artist whose creative roots were nurtured by his mother, Kathy Whitman Elk Woman, Cannupa guides us from the spoken cadences of poetry to the earthy intimacy of clay. His artistic odyssey is a testament to the power of medium exploration, as he shares how live painting with a hip-hop band and a transformative education at the Institute of American Indian Arts expanded his palette from the canvas to the captivating realm of sculpture.Cannupa's narrative arcs into the collaborative spirit of art, as he recalls the Mirror Shield project at Standing Rock—a pivotal moment that crystallized his understanding of art's social impact and the myth of solitary creation. He unwraps the layers of his journey with the Santa Fe art collective Humble, drawing us into a discourse on the synergy between individual creativity and collective expression. Through the lens of social media and material consciousness, Cannupa challenges us to reconsider our approach to the artistic process and the inherent collaboration it entails.As we traverse the intersecting pathways of art, science, and identity, Cannupa offers a profound reflection on how cultural heritage weaves through his work, disputing the oversimplification of cultural identity. Our conversation ventures into his engagement with Monument Lab and the University of Michigan Museum of Art, contemplating the narratives and contemporary relevance of monuments. Cannupa's "sovereignty suits" project from the Hammers exhibition "Breathe" and his upcoming installation at the San Diego New Children's Museum invite listeners to explore how art and science converge to ignite imagination and challenge our perceptions of learning and identity. Join us for an episode that not only showcases the multifaceted brilliance of Native American artistry but also the indelible impact of creative expression on shaping our collective future.
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