We're joined by an absolute icon of British music and theatre - the one, the only, the incomparable Beverley Knight MBE is on this episode of Call To Stage!Beverley's career spans four decades and multiple industries. A self-described "born singer" who was performing by the age of four, she spent two decades as one of the UK's most celebrated soul and R&B artists before making a seamless - and Olivier Award-winning - transition into musical theatre as an adult.Beverley's theatre career includes the West End casts of The Bodyguard, Memphis, The Drifters Girls, Grizabella in Cats, Deloris in Sister Act and more. Along the way, she has earned three Olivier Award and WhatsOnStage nominations, including one Olivier win for Best Supporting Actress in a Musical for Sylvia.She currently stars as Emmeline Pankhurst in Sylvia, which tours the UK before culminating at the Royal Albert Hall.On this episode of Call To Stage, Amber and Beverley talk about the decision to leave music behind and audition for the West End with no stage school training, getting an Olivier nom for Memphis and her tradition of 'Bev's Bomb Bom Fridays' which she's kept going across every show she's ever done.There are also stories from The Bodyguard, The Drifters Girl and Sylvia as well as a heartfelt conversation about keeping going in the face of rejection.For more bonus content, join the Call To Stage Backstage Pass on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/c/calltostage⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Call To StageInstagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostagepod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@calltostageSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related