Elissa Strauss always knew she wanted to be a mother, but she also knew she didn’t want motherhood to take over her personality. After all, she had spent years as a blogger making fun of anyone who took motherhood too seriously. She bemoaned the natural birth movement and people who made “mom friends.” Then Elissa had a son, and her view of caretaking started to shift. “I had put so much energy into figuring out how not to lose myself to caregiving,” Elissa writes in her new book, “that I completely ignored the possibility that I might, in fact, find some of myself there.” In this episode, Anna and Elissa talk about why it feels uncool to talk about liking motherhood, the ways caretaking can take from us, but also how it can fill us up and engender “moral transformation.” Plus, the economics of care, and what really valuing care in society would look like. Elissa’s book is called When You Care: the Unexpected Magic of Caring for Others. She also wrote a piece last month in Slate called “It’s Weird Times to Be a Happy Mother.” Are you a paid caregiver? We want to hear from you for a future listener episode. Tell us some things you’ve taken away from the experience – wild stories, observations about class, lessons about the way you want your own loved ones to be cared for. Send us your thoughts and stories at [email protected]. Death, Sex & Money is now produced by Slate! To support us and our colleagues, please sign up for our membership program, Slate Plus! Members get ad-free podcasts, bonus content on lots of Slate shows, and full access to all the articles on Slate.com. Sign up today at slate.com/dsmplus. And if you’re new to the show, welcome. We’re so glad you’re here. Find us and follow us on Instagram and you can find Anna’s newsletter at annasale.substack.com. Our new email address, where you can reach us with voice memos, pep talks, questions, critiques, is [email protected]. Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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