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Chapter 1: What is the main topic discussed in this episode?
Hi, come in. Welcome to Fashion Neurosis, Peaches. Thank you. Nice to be here. Can you tell me what you're wearing today and why you chose these particular clothes?
What I'm wearing today, let's start from the top. I'm wearing Jacques-Marie Mag glasses. I'm wearing an earring that my mother gave me and I lost one. So I'm wearing a little bit of a A booby earring to fill the hole, sort of say, that I got from a TSA agent that came to my show. I'm wearing a necklace from Johnny Valentine, which was a gift from Johnny Valentine.
I'm wearing my favorite cozy long sweatshirt jacket that goes with me everywhere for comfort. And it's from a website, like online locker room. I think it's just like some... I feel like in my mind, it's an independent person making these clothes and their partner is like this older woman just like wearing everything for the photos.
And I just thought they were really cute and it's also very cozy. My dress is from a pop-up shop in Montreal from a gallery. I don't know. I don't have a name on it, unfortunately. And my boots are from, it's a collaboration between Trippin and Esther Perbent, who is a Berlin designer, very amazing, probably like Berlin's answer to Rick Owens, but in their own independent way.
Yeah.
And I'm wearing my lucky ring that was given to me by Yoko Ono.
Oh, wow. Yeah. Gosh.
And oh, my grills are from Alligator Jesus, who just, I was doing a photo shoot in LA and Alligator Jesus showed up and put some wax in my mouth and said, I'm making you a grill. And then showed up three days later and gave me this.
Yeah, they're really beautiful. Yeah. I've never seen you with grills. They're very elegant and kind of dazzling. I like them a lot.
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Chapter 2: What misconceptions does Peaches enjoy challenging?
I get to wear kind of what you're wearing, you know? So, and shopping was never joyous. It was always for like, you know, the Jewish high holidays. Oh, we have to get outfits. And we'd go to the discount winners. I don't know. I think it's a Canadian thing. Winners. And it was just like, pick something out, you know? It was never like, what are you going to wear, you know?
And I just remember it just being always an agonizing experience. And I remember wearing, I enjoyed wearing like ripped jeans and turtlenecks and everything. But when I got to seventh grade, the minute I got to seventh grade, somehow I immediately turned into a Jewish American princess. I was like, I need to be wearing this and that and this. And it was like, it's like overnight.
I was like, I need Lacoste shirts. You know, this is the 80s. I need to wear polo button downs. I need... And my parents were, like, not really having it, so I would save my money. And so I think now I get to the answer to your question. I remember buying these Fiorucci choppers. Wow. That were black corduroy. And always Fiorucci had that little tag in front. Yeah. And mine was bright green.
And I was so proud of these Fiorucci pants. And we would have a lot of school dances. And I'd dance at bar mitzvahs or, you know, things like that. And I remember always wearing my Fiorucci corduroy jaupers. And I remember being... Something more than I love than those pants were those dance contests. And I remember once I was dancing in the contest and I ripped them in the butt.
And I was just like, I don't care. I have to win this dance contest. Did you win? Yeah, I won every, oh, I was so competitive about stupid disco dance contests. I even had, there was a boy in my class in sixth grade, so that's before the Fiorici pants and everything, but J.O. Baum, and we were not friends at all.
But when it came, it was so funny, but when it came to dance contests, we knew we were both the best dancers. So we'd like eye each other up and let's go, let's win this one.
God, how satisfying. It sounds so wonderful.
It was like, you know, Saturday Night Fever era. So we'd be like doing all those kind of like, I do the splits and then swing the, you know, kind of like those 50 jive dancing meets, you know, the 70s disco dancing.
That's my favorite dancing. It's so fun. It's so fun.
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Chapter 3: How did Peaches' early experiences shape her music career?
So that made me want to make music and be creative even with more passion, you know, and also led to a breakup with a very creative person that I was with who taught me a lot about, especially art movements and, you know, that I didn't know about, but just led to the breakup and I wanted the album to not have this victim feeling, like breakup victim, or also I had cancer.
So it was sort of like, how can I propel myself forward and encourage myself and bring the power?
fuck the pain away you know it's the most fantastic song i mean i live i always listen to it's on my in in the shower i have teachers of peaches playlist and it starts with that and it's it's so witty as well and it's urgent it has a sense of urgency much more than a aggression and
There's that line, something about my Chrissie behind, and I only understood what that was about recently, and it's Chrissie Hind, who has a great behind. Yeah, I think... She has an amazing figure, but I... Yeah. And there's that picture of her in the Vivienne Westwood shop sex. Ugh. Was that what you were with her in a pair of knickers looking over her shoulder?
You know, Chrissie Hynde, I love that first Pretenders album was so important to me. Like, I just, she to me is kind of like this, she's not a rapper, but she's not a singer. She just had her own sort of swagger that was just so cool. And she would sing really fast, like... What's that song? Child, way child, perfect child, look who now hurts.
You know, it's just like tongue twisting and fast and I loved it. All the songs were just so sexy and you had to have a little, you know, swagger in your voice. I remember I was so upset that like the hit song was when it was like, gonna make you, make you notice. I forget the title. Brass in Pocket. Brass in Pocket.
Such a great song.
It's so funny because that was my least favorite song on the album at the time. I was like, no, why? I was so angry because I was like, that's not my favorite. Now I love it because I love every song on that. But she was really important to me and also Debbie Harry. And both of them were extra important to me at that time when I wrote Fuck the Pain Away because they had both –
made it in their career after 30. And I was 33. So I was referencing them like, call me all the time like Blondie, check out my Chrissy behind. Because I wanted to shout them out as older. And they're not older, like 30 is not old at all. But older women not in their 20s kind of coming into their own
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