Remembering pop songwriter Neil Sedaka

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What early influences shaped Neil Sedaka's musical career?

Unknown 0:00
Support for NPR comes from NPR member stations and Eric and Wendy Schmidt through the Schmidt Family Foundation, working toward a healthy, resilient, secure world for all.
David Bianculli 0:11
On the web at theschmidt.org. This is Fresh Air. I'm David Bianculli. Neil Sadaka, the singer and songwriter whose recording and performing career stretched from the 1950s to the current decade, died last week. He was 86 years old. Neil Sadaka was born in Brighton Beach in 1939 and displayed his musical talent early on. His mother bought him his first piano at age seven, and at age nine he got a Child Prodigy Scholarship at Juilliard and was hand-selected by classical pianist Arthur Rubinstein to perform on live radio. But Sadaka was drawn elsewhere. Another young kid interested in pop music, Neil Diamond, lived across the street from him. His girlfriend in high school, Carol Klein, turned out to be a pretty good songwriter, too, once she broke up with Sadaka and renamed herself Carol King.
David Bianculli 1:07
By then, young Neil had teamed with another budding songwriter, Howard Greenfield, who wrote lyrics to Neil's music. Their first break and first hit came in 1958, when Connie Francis was looking for a song to appeal to teenagers. Neil Sadaka was only 19 at the time, and she loved the song's innocence. Stupid Cupid became a top 20 hit for her.
Unknown 1:37
Connie Francis later had an even bigger hit with another of their songs, Where the Boys Are.
David Bianculli 1:58
Neil scored his own hit, a top ten on Billboard, the next year with O'Carroll. And even though the lyrics were written by Greenfield, the message for Neil Sadaka was personal. He was singing about his ex-girlfriend, Carole King.
Unknown 2:13
O'Carroll, I am but a fool. Darling, I love you, though you treat me cruelly.
Unknown 2:31
cry But if you leave me I will surely die
David Bianculli 2:39
Sadaka scored another top ten hit with Calendar Girl in 1960. Breaking Up is Hard to Do in 1962 was his first number one hit. But after the British invasion arrived and music tastes changed, Neil Sadaka vanished from the charts for more than a decade. Then, in 1975, he enjoyed a major renaissance. Elton John signed him to his record label, and Sadaka had two number one hits that year. One was a soft ballad, Laughter in the Rain.
Neil Sedaka 3:13
And the other was Bad Blood, a duet with Elton himself.
Unknown 3:40
Next promise that she can't keep is a wink of an eye.
David Bianculli 3:46
That same year, Neil Sadaka and Howard Greenfield, who had written their first hit songs together back in the 50s, collaborated again on a song that became a number one hit for the Captain and Tennille, Love Will Keep Us Together.
Unknown 4:02
Love, love will keep us together.
Unknown 4:08
If you listen closely to the end of that song, the captain and Tennille snuck in a quick tribute, singing Sadaka's Back, followed by applause.
David Bianculli 4:36
The current century delivered no new hits, but Neil Sadaka remained active. In 2009, he released a children's album featuring playful revised lyrics to his most famous songs. The collection was called Waking Up is Hard to Do and included the novelty numbers Where the Toys Are and Lunch Will Keep Us Together. His original songs and his own story were featured in a jukebox musical called Laughter in the Rain in 2010. Neil Sadaka performed until recently at a Studio City restaurant, popping up monthly for Intimate Sunday performances. Today, we'll remember Neil Sadaka by listening to an interview Terry Gross conducted with him in 2007.
Terry Gross 5:19
Now, when you were in your teens or just out of them, you had a knack for writing songs that would appeal to teenagers, maybe particularly to teenage girls because the songs often had the message they wanted to hear, like they're growing up and becoming very desirable, right? Did you think about that consciously? Did you think of yourself as writing songs for teens?
Neil Sedaka 5:40
Well, we were the teenagers of New York coming from the Brill Building School of Songwriting. And yes, we were writing for the teenage market. The early lyrics or collaboration with Howard Greenfield, who was a marvelous lyricist, and who could concise... It was almost the art of writing a three-minute song, and we could tell a whole story in three minutes.

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