Show notes
During the Cold War, the CIA quietly turned modern art into a weapon. Convinced that America needed to prove its cultural superiority over the Soviet Union, the agency secretly promoted abstract expressionist painters like Jackson Pollock, Mark Rothko, and Willem de Kooning as symbols of American freedom. Through a front group called the Congress for Cultural Freedom and a network of fake foundations, the CIA funneled millions of dollars into touring exhibitions across Europe, partnering with the Museum of Modern Art, all without the artists ever knowing who was funding their success. The irony was staggering: many of the painters were anarchists and former communists, President Truman thought their work was garbage, and Congress called it un-American, yet the CIA bankrolled it anyway. In this episode of Conspiracy Theories, Cults, & Crimes, Vanessa Richardson examines the declassified operation that transformed paint splatters into propaganda, the strange alliance between spies and the art world, and the unsettling question of whether some of the most celebrated art of the 20th century rose on merit, or because a spy agency decided it was useful.For more, follow Conspiracy Theories, Cults, and Crimes wherever you listen to podcasts: https://pod.link/1828469754If you’re new here, don’t forget to follow Scams, Money, & Murder to never miss a case! To hear episodes ad-free, subscribe to Crime House+. Join at crimehouseplus.com or if you’re listening on Apple Podcasts, tap “Try Free” at the top of this show’s page. Scams, Money, & Murder is a Crime House Original Podcast, powered by PAVE Studios.🎧 Need More to Binge? Listen to other Crime House Originals Clues, Crimes Of Reddit, Crime House 24/7, Serial Killers & Murderous Minds, Murder True Crime Stories, and more wherever you get your podcasts!Follow me on SocialInstagram: @CrimehouseTikTok: @CrimehouseFacebook: @crimehousestudiosX: @crimehousemediaYouTube: @crimehousestudios