With Sonnet 132, William Shakespeare suspends the charge brought against his mistress at the end of the previous sonnet that she is 'black' in nothing so much as in her deeds, and instead pleads with her to have pity on him as he suffers under her disdain for him. At first glance and in isolation it might seem, then, that such 'black' deeds as were mentioned in the closing couplet of Sonnet 131 are nothing but this attitude of hers towards him, but as we saw then and also discuss here, this is unlikely to be the case since a 'ladylike' level of decorum requires a woman at the time to be quite unapproachable and at least apparently aloof, and Sonnet 133 will confirm in no uncertain terms that the deeds in question are of a different nature altogether.The sonnet thus stands in a long tradition of poetry that has a male lover pine for his unattainable and/or contemptuous mistress, and while on the surface it appears to express itself in positively chaste tones – certainly when compared to the exceptionally explicit Sonnet 129 – it still carries some subtle but nonetheless perfectly evident sexual undertones which it combines, so we get the impression, with just a tinge of irony.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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