‘Resident Evil’ Absolutely Rips!

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The Big Picture 1h 39m 4 speakers 7 chapters transcribed just now
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What recent movie news headlines are discussed at the start of the episode?

Amanda Dobbins 0:06
Quick reminder, tickets go on sale tomorrow or today, depending on when you're listening to this, for The Big Picture live in San Francisco.
Sean Fennessey 0:12
We'll be at ACT's Tony Rimby Theater on Wednesday, October 21st, and tickets will be available Friday, September 18th, beginning at 11 a.m. Pacific time.
Amanda Dobbins 0:21
Head to theringer.com slash events for all the details. We'll see you there.
Sean Fennessey 0:35
I'm Sean Fennessey, and this is The Big Picture, a conversation show about evil, Resident Evil. On today's episode, Chris Ryan joins me to discuss one of our most anticipated movies of the year and the official kickoff of horror movie season. It's Zack Kreger's new adaptation of the long-running video game Resident Evil. It's a gory, goofy, and glorious movie, and we will break it all down, as well as the history of horror comedy on the show. But first, some movie news right after this. This episode is presented by State Farm. You know the feeling, long day, good meal, you finally sit down and now you're just staring at your screen. Slasher, rom-com, period drama, psychological thriller, but some decisions don't have to be that hard.
Sean Fennessey 1:16
State Farm is here to help. Like when you choose to bundle and save with the personal price plan. Bundling, just another way to save with the personal price plan. Like a good neighbor, State Farm is there. Prices are based on rating plans that vary by state. Coverage options are selected by the customer. Availability, amount of discounts and savings, and eligibility vary by state. Okay, CR.
Chris Ryan 1:36
What's up, brother?
Sean Fennessey 1:37
How are you?
Chris Ryan 1:37
I'm really good.
Sean Fennessey 1:38
You're really
Chris Ryan 1:39
feeling up for this? I'm still coming out on the post-Resident Evil screening vibe. I'm still vibrating off
Sean Fennessey 1:47
that. I do want to tell the story of our screening together and apart. But before we do that, I have some news that I want to talk to you about. Absolutely. Some of which I would consider very consequential, some of which feels minor. I think what I consider major, you might consider minor and vice versa.
Unknown 2:01
Oh,
Sean Fennessey 2:01
okay. So I want to start with Noah Baumbach. Noel Baumbach, who has been making movies for the Netflix Corporation for the last eight years, four features in eight years, on an exclusive deal. It was announced this morning he's leaving Netflix to go make a movie for Clockwork, which is the new indie shingle imprint at Warner Brothers. I mean, at least for now. Who knows what's going to happen with the merger? Yes. But Clockwork, which is run by Christian Parks, who for years worked at Neon and is a figure in the L.A. movie scene – You know, they made their mark initially by getting the restoration of Ken Russell's The Devils back in the theaters, which is coming in October. And they've announced a bunch of new projects with a bunch of new filmmakers over the next 14 months.
Sean Fennessey 2:43
Bombeck's the next name on the list. You say what?
Chris Ryan 2:46
I'm excited to see Noah Baumbach tested by the box office. I think Iron Sharpens Iron in a way. And I in no way care whether his movies make $2 million or $25 million. But there is a Netflix cocoon around a group of directors. And I'd like to see them out on an even playing field and maybe singing for their supper a little bit more. Does that seem cruel to say that?
Sean Fennessey 3:12
No. It's interesting that it's coming in the aftermath of two of Baumbach's more elevated productions, I would say, in White Noise and in J. Kelly, and two movies that were not received as well as a lot of his previous work. I think his first two movies for Netflix, Meyerowitz Stories and especially Marriage Story. are very well liked, celebrated. I'm a fan of all four of those movies, and I'm really on a short list of people, I think, who are really at least interested in White Noise and J. Kelly. But this is interesting to me for a variety of reasons because it feels like shifting ties at Netflix when it comes to the movie stuff. This comes at the same time that Bombeck's partner, Greta Gerwig, there were some new announcements of the Narnia film, which I think Amanda and I will talk about more on Monday.
Sean Fennessey 3:52
But It feels like Guillermo del Toro and David Fincher are the last two guys...

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