In 2014, the Booker Prize broadened its submission rules to allow books from any nationality, as long as they were written in English and published in the UK. This change in eligibility led to worries around whether American novels would dominate the award's nominations, but it wasn't until 2016 when Paul Beatty scooped the prize with The Sellout that the prize went to an author from the States. The Sellout is a biting satire on race relations told through its protagonist, who is on trial for trying to reinstate slavery and segregation – and this week on the podcast, we're revisiting the story. In this episode Jo and James: Consider what the inclusion of American authors and novels has meant for the Booker Prize Share a brief biography of Paul Beatty Give a slightly spoiler-y summary of The Sellout Discuss whether the novel is an on-point laugh-a-minute satire or a relentlessly nihilistic trudge Try to get to the bottom of what Paul Beatty is trying to say through this novel Chat about whether the question of who something is for can really be answered authentically Suggest who should read The Sellout Reading list: The White Boy Shuffle Tuff Hokum: An Anthology of African-American Humor Slumberland The Sellout Further resources: Paul Beatty's 2016 Booker Prize acceptance speech Dear Britain, please take your Booker Prize back home by Ron Charles for The Washington Post A full transcript of the episode is available at our website. Follow The Booker Prize Podcast so you never miss an episode. Visit http://thebookerprizes.com/podcast to find out more about us, and follow us on Twitter, Instagram, Facebook and Tiktok @thebookerprizes. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related