In this episode cellist Natasha Brofsky and violist Roger Tapping share insights on how to approach and practice new repertoire - from whether to begin from the score or a recording, to how to learn a composer's unique language, to cultivating patience in the practice room and how to prevent fear or cautious playing from transferring from the practice room to the stage. Natasha Brofsky and Roger Tapping: On Learning New Repertoire and Getting to Know a Composer’s Unique LanguageMore from The Bulletproof Musician Get the free weekly newsletter, for more nerdy details and bonus subscriber-only content. Pressure Proof: A free 7-day performance practice crash course that will help you shrink the gap between the practice room and the stage. Learning Lab: A continuing education community where musicians and learners are putting research into practice. Live and self-paced courses

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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