Chapter 1: What unique experiences does Bryan share about ayahuasca?
chilling in the mountains of peru drinking ayahuasca with the shining stew i've been learning my soul child the best medicine i've been learning shit from the aliens like how we're all connected to the pyramids and how we used to use them for time traveling now i'm astral projecting remembering how to navigate the ether sound heels did your reading On this episode of The Commercial Break...
I just don't think you would be talking about it in this way if it was a super meaningful experience. It's not a pop music with your butt cheeks hanging out. No, it's not. No, it's not a butt cheek kind of situation. It's a disembodiment is what it is.
And I've talked about it a lot, and I've talked about it on this show, so I don't want to be a hypocrite here and say that, you know, but I'm not doing that for views. I'm just sharing my, I mean, maybe I am. And luckily you kept your butt cheeks to yourself. I don't know that I did, but... I don't think anybody would have noticed had I. Everyone else was doing it too.
For the shaman and the paramedics in the room.
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Oh yeah, cats and kittens, welcome back to the commercial break.
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Chapter 2: What are the horror themes explored in this episode?
I'm Brian Green, this is my co-host for the moment, Tina. Best to you, Tina.
Best to you, Brian.
And best to you out there in the podcast universe. Chrissy, we hope, limping her way back from info to return next week. No, I actually texted with her and she's... She's on her way home, kids. She's on her way home. So hopefully we'll have her back here next week. And I'll be excited to see her back in the chair. But I've really enjoyed having you here for the last couple of weeks.
Thanks, I love being here. It's been a lot of fun. It's different. It's been, you know, every once in a while you shake things up.
Chapter 3: How does the conversation shift to true crime stories?
It turned out in our favor. I really have enjoyed our conversation. I've actually had a few text messages already about our conversation yesterday with your chat GPT, which was very interesting indeed. I'm probably not the first to interview. I'm not the first to interview an AI agent on air, but I thought it was a good conversation that we had with your chat GPT agent.
You go back and listen to that if you want to. I am right now. I'm on episode three and a half of monsters.com. The Ed Gein story. And it is getting weird. I mean, it was weird from the beginning, but now it's getting really weird. And I do have to say that this is, I mean, I have liked all of them. I like the OJ one. I like the Versace one. I liked Monsters.
Chapter 4: What insights are shared about the Ed Gein case?
The Menendez Brothers was excellent. Excellent. So good. And now the OJ one. He has done it again with the Ed Gein story. It's really fascinating.
And the way he intertwines the pop culture aspect of our horror flicks right in with it. So I love that he contextualized it with what was happening in the world.
Like 30, 40 years later.
You listen to true crime stories and they don't often tell you who's president. They don't really tell you what's going on globally. This sort of gives you a really wholesome perspective.
It's got holistic. Yeah. He looks at Ed's world and understands it in context.
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Chapter 5: How do the hosts discuss the impact of horror films on societal perceptions?
And Ed Gein, who is known to be like he is the basis for a lot of the very monstrous things that we see in horror movies. Halloween, Leatherface, Psycho being really the very first kind of
horror horror movie from Alfred Hitchcock Silence of the Lambs I think just kind of really rips off Ed Gein's story for the most part it rips it off completely in my opinion I mean the horror part of it that's right it does and then it throws in some very interesting characters and brings it to the 21st century but and Silence of the Lambs is a truly fantastic movie if you haven't seen it
It made a lot of news at the time when it came out. It was on everybody's lips. It was just the movie that you had to see because it's, at that time, kind of indescribable what goes on in that movie. Now, we've seen this storyline play out a million other times since then. Sure. But the...
cross-dressing, making masks out of skins, making whole costumes out of skins, lampshades, ashtrays, out of dead body parts, necrophilia, kind of this repression of a certain kind of sexuality along with an overbearing mother figure and schizophrenia turned Ed into a monster himself. And his story in and of itself is not the worst serial killer we've ever seen.
Not the most prolific, but the deeds might be the most insane. The things that he did with the bodies, dead or alive, or in between, when he did it. And he didn't kill a ton of people.
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Chapter 6: What recent tragic events at theme parks are discussed?
What he did was he was really into necrophilia and the fascination with dead people and their skins and their bones, and he just didn't look at them like people. He saw them as objects to be played with and art to be made and just, like, fucked up shit. And I love how Ryan Murphy has taken that and contextualizes it, like you said. Brilliant, yeah.
I'll just share a little bit, and you can go watch it yourself, but... Psycho. Alfred Hitchcock took the Ed Gein story, the book that that was written called Psycho about Ed Gein. He took that and he made it into a movie. And at the time, you can only imagine the 50s, the 19 late 40s, early 50s. Cinema was kind of a newish art form, especially talking cinema.
And Alfred Hitchcock makes this bloody, gory, fucked up movie about Ed Gein. It was like the first sex and violence sort of expose film. It was. And the way that people reacted to that was they were terrified. They were horrified.
Chapter 7: How do the hosts reflect on the responsibilities of theme park operators?
And they loved it. And they loved it. They loved every minute of it. Still one of the most classic movies ever. I mean, Psycho is on the top 10 list of every movie ever. Oh, yeah. Alfred Hitchcock created a masterpiece out of kind of the most like the devilish gruesome, most devilish parts of humanity, like the really the underbelly of humanity.
And his whole point was to bring it out into the light to say, we want to pretend that this doesn't happen, but it does happen. And I want to show it the way that it does happen. And so he, he intertwines the Ed Gein story with the making of psycho and what was going on at the time on the set. It's just fascinating. It's fucking fascinating. Good for you, Ryan Murphy.
I mean,
Make a million more.
Chapter 8: What conclusions do they draw about personal responsibility in thrill-seeking?
He's just brilliant. I know. Make a million more. The Jeffrey Dahmer story. Lizzie Borden's next, and I cannot wait.
Who is? Lizzie Borden. I think it's in the early 1900s. She kills her family with an axe. You know, there's like a little nursery rhyme. Yeah, yeah, yeah, yeah. Okay. So that's what he's doing next.
I cannot wait. Lovely. Keep them coming. Keep them coming. I mean, it's terrible. It's like a train wreck. You can't stop watching.
We love it.
I love it. I'm all about it.
Humans, we just can't get enough of it.
The Jeffrey Dahmer story.
That was also so well done.
Fucking A. That was so good. I wanted 12 more episodes of that. I was fascinated by that case because I was alive when that all started to unravel. And that was a fascinating, fascinating case, a terrible case. And people, a lot of people lost their lives in the most vicious of ways. But This is a really well-done crime drama, and I love it. Super dark. Super dark. Yeah.
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