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The Commercial Break

StarSeed Butt Cheeks

10 Oct 2025

Transcription

Chapter 1: What experiences led to the discussion of ayahuasca and shamanism?

0.031 - 24.823 Unknown

chilling in the mountains of peru drinking ayahuasca with the shaman stew cup of champagne to the shift the mood i've been learning about myself finding out my truth i've been healing my soul child the best medicine i've been learning shit from the aliens like how we're all connected to the pyramids and how we used to use them for time traveling now i'm astral projecting remembering how to navigate the ether

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24.803 - 51.283 Unknown

On this episode of the Commercial Break...

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51.567 - 66.885 Tina

I just don't think you would be talking about it in this way if it was a super meaningful experience. It's not a pop music with your butt cheeks hanging out. No, it's not. No, it's not a butt cheek kind of situation. It's a disembodiment is what it is.

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67.145 - 82.746 Tina

And I've talked about it a lot, and I've talked about it on this show, so I don't want to be a hypocrite here and say that, you know, but I'm not doing that for views. I'm just sharing my, I mean, maybe I am. And luckily you kept your butt cheeks to yourself. I don't know that I did, but... I don't think anybody would have noticed had I. Everyone else was doing it too.

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83.447 - 86.153 Tina

For the shaman and the paramedics in the room.

87.496 - 92.205 Bryan Green

The next episode of the commercial break starts now.

94.868 - 98.193 Tina

Oh yeah, cats and kittens, welcome back to the commercial break.

Chapter 2: How do social media influences shape perceptions of reality?

98.213 - 102.579 Tina

I'm Brian Green. This is my co-host for the moment, Tina. Best to you, Tina.

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102.599 - 103.2 Unknown

Best to you, Brian.

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103.22 - 124.13 Tina

And best to you out there in the podcast universe. Chrissy, we hope, limping her way back from info to return next week. No, I actually texted with her and she's on her way home, kids. She's on her way home. So hopefully we'll have her back here next week. And I'll be excited to see her back in the chair. But I've really enjoyed having you here for the last couple of weeks.

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124.15 - 130.222 Tina

Thanks, I love being here. It's been a lot of fun. It's different. It's been, you know, every once in a while you shake things up.

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Chapter 3: What are the implications of true crime narratives on popular culture?

130.983 - 153.799 Tina

It turns out in our favor. I really have enjoyed our conversation. I've actually had a few text messages already about our conversation yesterday with your chat. Which was very interesting indeed. I'm probably not the first to interview an AI agent on air, but I thought it was a good conversation that we had with your chat GPT agent. You can go back and listen to that if you want to.

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154.34 - 179.447 Tina

I am right now on episode three and a half of Monsters, the Ed Gein story. Okay. And it is getting weird. I mean, it was weird from the beginning, but now it's getting really weird. And I do have to say that this is, I mean, I have liked all of them. I like the OJ one. I like the Versace one. I liked Monsters. The Menendez Brothers was excellent.

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Chapter 4: How does the Ed Gein story connect to modern horror films?

179.628 - 185.534 Tina

So good. And now the OJ one. He has done it again with the Ed Gein story. It's really fascinating.

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185.594 - 195.449 Unknown

And the way he intertwines the pop culture aspect of our horror flicks. right in with it. So I love that he contextualized it with what was happening in the world.

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196.492 - 198.597 Tina

Like 30, 40 years later.

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198.617 - 208.359 Unknown

You listen to true crime stories and they don't often tell you who's president. They don't really tell you what's going on globally. This sort of gives you a really wholesome perspective.

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208.44 - 229.326 Tina

It's Yeah, he looks at Ed's world and understands it in context. And Ed Gein, who is known to be, like, he is the basis for a lot of the very monstrous things that we see in horror movies. Halloween, Leatherface, Psycho being really the very first kind of horror horror movie from Alfred Hitchcock.

Chapter 5: What recent incidents have occurred at theme parks?

230.207 - 234.652 Tina

Silence of the Lambs, I think, just kind of really rips off Ed Gein's story for the most part.

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234.672 - 237.756 Unknown

It rips it off completely, in my opinion. I mean, the horror part of it.

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237.776 - 259.264 Tina

That's right. Yeah. It does, and then it throws in some very interesting characters and brings it to the 21st century. And Silence of the Lambs is a truly fantastic movie. If you haven't seen it, it made a lot of news at the time when it came out. It was on everybody's lips. It was just the movie that you had to see because it's, at that time, kind of indescribable what goes on in that movie.

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259.304 - 286.686 Tina

Now, we've seen this storyline play out a million other times since then. Sure. But the... Cross-dressing, making masks out of skins, making whole costumes out of skins, lampshades, ashtrays out of dead body parts, necrophilia. They kind of this repression of a certain kind of sexuality along with an overbearing mother figure turned and schizophrenia turned Ed into a monster himself.

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Chapter 6: How do personal responsibilities affect decisions about thrill rides?

287.748 - 293.632 Tina

And his story in and of itself is, He's not the worst serial killer we've ever seen.

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293.712 - 298.48 Unknown

Not the most prolific, but the deeds might be the most insane.

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298.5 - 320.432 Tina

The things that he did with the bodies, dead or alive or in between when he did it. And he didn't kill a ton of people. What he did was he was really into necrophilia and the fascination with dead people and their skins and their bones, and he just didn't look at them like people. He saw them as objects to be played with and art to be made and just, like, fucked up shit.

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320.713 - 345.427 Tina

And I love how Ryan Murphy has taken that and contextualizes it, like you said. Brilliant, yeah. I'll just share a little bit, and you can go watch it yourself, but... Psycho. Alfred Hitchcock took the Ed Gein story, the book that that was written called Psycho about Ed Gein. He took that and he made it into a movie. And at the time, you can only imagine the 50s, the 19 late 40s, early 50s.

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346.409 - 350.415 Tina

Cinema was kind of a newish art form, especially talking cinema.

Chapter 7: What protocols exist for handling emergencies at amusement parks?

350.736 - 371.941 Tina

And Alfred Hitchcock makes this bloody, gory, fucked up movie about Ed Gein. It was like the first sex and violence sort of expose film. It was. And the way that people reacted to that was they were terrified. They were horrified. And they loved it. And they loved it. They loved every minute of it. Still one of the most classic movies ever.

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371.982 - 392.926 Tina

I mean, Psycho is on the top 10 list of every movie ever. Oh, yeah. Alfred Hitchcock created a masterpiece out of kind of the most devilish parts of humanity, like really the underbelly of humanity. And his whole point was to bring it out into the light, to say, we want to pretend that this doesn't happen, but it does happen, and I want to show it the way that it does happen.

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393.426 - 401.373 Tina

And so he intertwines the Ed Gein story with the making of Psycho and what was going on at the time on the set. It's just fascinating.

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Chapter 8: How do societal expectations influence parenting decisions?

401.413 - 403.735 Tina

It's fucking fascinating. Good for you, Ryan Murphy.

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403.916 - 404.376 Unknown

I mean...

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404.356 - 409.643 Tina

Make a million more. He's just brilliant. I know. Make a million more. The Jeffrey Dahmer story. Lizzie Borden's next, and I cannot wait.

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409.763 - 422.321 Unknown

Who is? Lizzie Borden. I think it's in the early 1900s. She kills her family with an axe. You know, there's like a little nursery rhyme. Yeah, yeah, yeah, yeah. Okay. So that's what he's doing next.

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422.401 - 428.89 Tina

I cannot wait. Lovely. Keep them coming. Keep them coming. I mean, it's terrible. It's like a train wreck. You can't stop watching.

429.25 - 429.891 Unknown

We love it.

429.871 - 431.534 Tina

I love it. I'm all about it.

431.554 - 433.177 Unknown

Humans, we just can't get enough of it.

433.217 - 435.181 Tina

The Jeffrey Dahmer story.

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