This week on the podcast, we went long on an American filmmaker like no other: Melvin Van Peebles. Known for groundbreaking classics like Watermelon Man and Sweet Sweetback’s Baadassss Song, Van Peebles invented entirely new cinematic languages while offering trenchant visions of Black American life and masculinity. In 1968, the director made his feature debut with The Story of a Three Day Pass, a dazzlingly multi-layered film about an African-American soldier’s dalliance with a white French woman in Paris. With the film returning to screens this week in a brand-new restoration, we reached out to two Van Peebles superfans: filmmaker Ephraim Asili, director of The Inheritance, and writer and film editor Blair McClendon. We discussed Van Peebles' work and fascinating life, and even got a peek into Ephraim’s extensive collection of Melvin Van Peebles ephemera. Don’t forget to sign up for the Film Comment Letter! It’s a free digital newsletter that will deliver original writing by Film Comment contributors directly to your inbox every Thursday. Sign-up today at filmcomment.com.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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