Three For Adventure: Roundhouse Rosie and the Siamese Cats (Encore) (A0080)

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The Great Detectives of Old Time Radio| Daily Mystery Dramas 37 min 8 speakers 5 chapters transcribed 4 months ago
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What is the premise of 'Three For Adventure'?

Adam Graham 0:05
From Boise, Idaho, this is your host, Adam Graham. We're taking a break from posting new episodes, but we're still bringing you your weekly dose of adventure. Please enjoy, from our archives, an episode of The Amazing World of Radio.
Unknown 0:30
Get ready for unique, rare, and little-known treasures from the golden age of radio. You're listening to The Amazing World of Radio with Adam Graham.
Adam Graham 0:43
Welcome to The Amazing World of Radio from Boise, Idaho. This is your host, Adam Graham. If you have a comment, email it to me, box13 at greatdetectives.net. Today, we're going to take a look down a road that Jack Webb's career could have gone down as we bring you an unaired pilot for a series called 3-4 Adventure. This was recorded sometime in 1949, and the title of this episode is The Story of Roundhouse Rosie and the Siamese Cats.
Jack Webb 1:43
That cattle car's open. Let's go. That's McCullough, Jonathan Cornell. One. Give me your hand, Mac. That's Duke Collider. Two.
Elliot Lewis 1:53
Clear from me, son. I'm coming.
Jack Webb 1:54
That's Jax Waco. Three. For adventure.
Elliot Lewis 2:16
Rockin' and a-ramblin' and a-rollin'. Lopin' through the night on a cattle car on a fast break. Buckin' and bumpin' in a boxcar. And it's dark in here and it's hot in here and I don't care. Cryin' and flyin'. I wish I wasn't all the time homesick. Texas hot dog. Oil fields and cotton fields and northers and cyclones. Prairie dogs and whiskey bushes. Cattle and cows and copperheads. Beautiful women. Blue bonnets and mockingbirds and sunsets and beautiful women. And blue skies.
Jack Webb 3:05
Why don't you shut up? There are beautiful women in New Orleans, Jack.
Elliot Lewis 3:10
Ah, of course. I figure if a fella from Texas is lonesome enough, he ought to do right good with them New Orleans tomatoes. I was just working up to it.
Jack Webb 3:19
Jax, you kill me. Always carrying books home from school for some babe with high-heeled shoes and a low-cut frock.
Elliot Lewis 3:27
Yeah, look, he ain't. Looks to me, though, that folks who lives in glass houses oughtn't to go around throwing rocks. Get you. You're a sweet and subtle Texas man, ain't you, Jax?
Jack Webb 3:36
Now, what do you mean by that? All right, boys, all right. Well... Go on, get some rest. We may need it. Mac? Yeah? Not that I mind, you understand. But all my life I've been riding trains in the dark. Subways, boxcars, always in the dark. Why don't we take a Pullman? We got the dough. Because I want us to get into New Orleans without anyone knowing we're there.

What valuable item are the adventurers searching for in New Orleans?

Elliot Lewis 4:05
Yeah, Mac, why don't you brief us, son? We don't do nothing except that this is the wrong time of the year to go looking for a mite of grass.
Jack Webb 4:12
Yeah. What are we after this time, Mac? Opal. Black opal. Heart-shaped. Framed in rubies. Worth about $40,000. Mm-hmm. Stolen? Yeah. Pigeon. Carrier pigeon. Took it away.
Elliot Lewis 4:28
Carrier... Hey, Mac.
Hmm?
Elliot Lewis 4:31
You feel good?
Jack Webb 4:34
Yeah, I feel fine.
Elliot Lewis 4:35
Well, how are we going to catch a pigeon that's done lit somewhere?
Jack Webb 4:39
That's a problem, isn't it? This black opal once belonged to a Mayan princess. It was a gift of the Republic of Honduras to Nehru of India. The supposedly secret messenger stopped off in New Orleans on his way to New Delhi. Nehru was threatened with death unless he followed instructions. A carrier pigeon was delivered to him by express. He was told to put the opal in a little harness the pigeon wore, then to turn the bird loose.
Elliot Lewis 5:07
Well, I'll be darned. What did he do it?
Jack Webb 5:10
He was too frightened not to. Just tossed the little pigeon into the air and watched it fly away with his opal, huh? That's right, Duke. That was a week ago. Hunts didn't want any publicity, so the legation wired me to see what we'd do. They remembered the job we did for them there.
Elliot Lewis 5:26
So here we are. Mm-hmm. Black opal and black-eyed women, hot dog. Fly, train, fly.
Jack Webb 5:46
Jax, wake up.
Elliot Lewis 5:47
We're here. I was just dreaming about a black-eyed gal named Opal.
Jack Webb 5:53
Slide the door open, Duke. I don't want to take any chances. Let's get off while the train's still moving. Okay.
Elliot Lewis 6:02
All right, come on. I'm jumping in my sleep. Yeah, you're always asleep.
Jack Webb 6:16
Yeah, nobody saw us. Let's cut right through here.
Elliot Lewis 6:20
Right. Oh, that was pretty slick, Mac, us coming into town on a freight train. Ain't nobody gonna know we're here.

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