written review: https://www.thehonestaudiophile.com/post/empire-ears-esr-empire-studio-reference YouTube reviews: https://www.youtube.com/channel/UCgMj7xJ1SDxGqqxZ5l3g_jg Instagram: https://www.instagram.com/p/B4LG7Kqp_7f/?igshid=1pj7fm78gz0h2 Twitter: https://twitter.com/TalkDbs @TalkDbs Website: https://www.thehonestaudiophile.com/ DBS Tech Talk research and review process: https://youtu.be/UkSnoZZNyYc Audio Terms and Definitions: https://www.stereophile.com/reference/50/index.html Music recommendations: https://tidal.com/browse/playlist/5bbf80ce-33f3-4222-a1fc-6539a95415d6 (in order of playlist) Tingvall Trio “Beat” - piano tonality Sinne Eeg “We’ve Just Begun” - multiple layer soundstage Molly Johnson “What a Little Moonlight Can Do” - female vocal tone Leslie Odom Jr. “Under Pressure” - male vocal tone Eric Clapton “Change the World” - soundstage, layering and placement Yo Yo Ma “Ecstasy of Gold” - acoustic instrument timbre Adam Baldych “Spem in Alium” - acoustic instrument timbre Pain of Salvation “Stress” - percussion balance Michael Buble “When I Fall in Love” - orchestral dynamics Patricia Barber “Code Cool” - sibilance check Christian Scott “New New Orleans” - shouty upper mids Tool “Chocolate Chip Trip” - imaging Hans Zimmer “Why So Serious” - sub bass extension Marcus Miller “No Limit” - bass control Dave Holland Quartet “Conference Of The Birds”- bass check Ilhan Eshkeri “47 Ronin”- orchestra and bass dynamics Hans Zimmer :2049” - sub bass extension Cher: Believe - sibilance Stanley Clarke - Passenger 57 main title - percussion, bass, separation and placement Slovak Radio Symphony Orchestra - The Pine of the Appian Way - soundstage, imaging and separation Houston Person - You are my Sunshine - tone and timbre If you like the content of this channel and want to see more like this in the future, please consider donating. All funds donated to the channel will be used to purchase headphones and audio gear for the channel. https://www.paypal.me/dbsylvia

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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