A lot of photographers assume it’s your portfolio. Your lighting. Your gear. Maybe your day rate.I’m not so sure anymore.A few weeks ago I spent three and a half days photographing hardware products in a twelve-by-fifteen room. White seamless. Capture One. Cardboard boxes. SKU spreadsheets. The kind of commercial job nobody posts on Instagram because it isn’t glamorous enough to be interesting.On the drive home after the third day, I got rear-ended sitting on the on-ramp of Interstate 15.The next morning I still had one day left to shoot, but my back had other plans.That experience forced me to rethink something I’ve been saying for years about professionalism, leadership, pricing, and what clients are actually paying us for.This episode is the follow-up to Episode 56, The Audit. That episode asked whether our work was replaceable. This one asks a different question:Are we?Along the way we talk about Photo Jail, why I strangely love my Canon AC adapter, the hidden physical labor of commercial photography, why leadership begins with understanding the jobs you’re asking other people to do, and why the best commercial photographers don’t just know how to make photographs—they know how to make sure the job survives when reality inevitably gets in the way.I also share why I think most photographers have a distorted view of this industry, what a nine-thousand-dollar commercial assignment actually looks like once the math is finished, and why I still think there’s something valuable about loading C-stands into the back of a Subaru before sunrise.Sometimes the most important lessons in photography aren’t learned behind the camera.Sometimes they’re learned in the parking lot after the shoot is over.In this episodeWhy I started calling one commercial assignment “Photo Jail”The hidden, unglamorous side of professional photographyGetting rear-ended during production week—and finishing the job anywayWhy leadership starts with understanding the work yourselfThe difference between being a boss and being someone your crew trustsWhy I think professionalism is really about building marginWhat a commercial photography budget actually looks like after the expensesWhy small commercial jobs deserve more respect than they getThe real meaning behind The Soul of the C-StandMentioned in this episodeEpisode 56 — The AuditThe Bear (FX), Season 2 – Garrett and Richie polishing forksCapture OneCanon EOS R5ResourcesThe Book Lessons From a Terrible PhotographerSupport the Show terriblephotographer.com/supportStay Connected Subscribe to Pub Notes (the newsletter)The Terrible Creative on InstagramPatrick Fore on InstagramEmail Me (Patrick Fore)Podcast written, produced, and hosted by Patrick Fore. Music licensed through Epidemic Sound and Blue Dot Sessions. Recorded from my garage in San Diego, California.

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related