It's always better the second time around! Leslie Rodriguez Kritzer returns to the podcast to talk about her life and career post-pandemic back on her time in “Beetlejuice”, the show closing during the pandemic, and everything that went down in between. Currently starring in “Spamalot”, she takes pride in the exceptional ensemble dynamics in the show and shares how she’s approaching her role as The Lady of the Lake. She also provides an insider's perspective on the decision-making process behind a potentially controversial number in the show and the cast's collective discussion and commitment to presenting the performance in the spirit of joy and celebration. Leslie shares her insights into the role of theater both as a means of escapism and a space for reflection, as well as the audience's right to interpret and experience the show in their own way. She reflects on the vocal challenges of her role and gets real as she opens up about going through vocal injuries, and learning the importance of knowing your limits and “maintaining your vintage Porsche [body]”. Leslie Rodriguez Kritzer made her Broadway debut in “Hairspray” in 2004, followed by a string of amazing roles in “Legally Blonde”, “A Catered Affair”, “Elf”, and “Something Rotten”. She’s also starred in TV shows like “The Marvelous Mrs. Maisel”, “Bridge and Tunnel”, “New Amsterdam”, and “The Broadway Show with Tamsen Fadal” among others. Leslie is now tearing up the stage as the Lady of the Lake in the Broadway revival of “Spamalot”. Connect with Leslie: Instagram: @lesliekritzer Twitter: @LeslieKritzer Tiktok: @leslierodriguezkritzer Connect with The Theatre Podcast: Support us on Patreon: Patreon.com/TheTheatrePodcast YouTube: YouTube.com/TheTheatrePodcast Threads, Twitter & Instagram: @theatre_podcast TikTok: @thetheatrepodcast Facebook.com/OfficialTheatrePodcast TheTheatrePodcast.com Alan's personal Instagram: @alanseales Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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