The Basement: Jeremy Corbell | Betrayal, Surveillance, and the Secret Higher Than Nuclear Weapons
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How did Jeremy Corbell’s near-death illness lead him from martial arts to making art with salvaged materials and even his own blood?
Today we're sitting down with Jeremy Corbell, documentary filmmaker and investigative journalist who spent over a decade chasing the UAP story, from Bob Lazar to the halls of Congress. And Jeremy didn't set out to do any of this. He was a martial arts instructor and artist before a mystery illness that left him fighting for his life forced him to start over completely.
He has a near-death experience and becomes an artist. I've survived three divorces. No art, just day drinking.
That led him straight into John Lear's living room, then to George Knapp's door, and eventually to putting a camera in front of Bob Lazar for the very first time.
Today we get into all of it, how he earned trust with people who trust almost no one, what it's actually like getting worked by intelligence agencies using what he calls false friendship,
and the whistleblowers he's helped bring in front of Congress, some of whom paid a real price for it. He's got some wild stories. Some he can back up, some he can't. I had a great time with this one. I think you will too. Let's go down to the basement.
Jeremy Corbell, welcome to the basement. Thanks for having me in the basement. I'm excited. First question is a two-parter. Is, um... What kind of art do you make with your own blood and do you use any other bodily fluids?
It's going to be that kind of party.
Here we go. I mean, that's crazy. What's going on? That was a phase.
That's a crazy phase. Yeah. Wow. Well... No, I want to know. Yeah, I know. You've done some research. Have I said that publicly?
So... Yeah, the whole art thing for me was a total fluke. I can't draw a stick figure. You know, I met this beautiful artist who became my wife after many years. But how we met was, you know, I had been doing jujitsu my whole life and martial athletics, you know. Since I was nine years old and I got super sick is the short version of it. And I could no longer do the things that I was passionate about. I thought that's all I would ever do with my life. I had school at UC Santa Cruz and that expanded out into the world. And I was a young kid and had everything I could ever want. And then, you know, getting really sick, it changes everything for you when you're a physical person. And I was going crazy, man.
And moved back to L.A. and just start disassembling computers. They were on sale, like a stack of six computers at like a Fry's Electronics, like old school kind of ones with big monitors. And started taking them apart, putting them back together just as a physical thing to do. I can't explain why. I was just doing it. And I started seeing my whole neighborhood was being demolitioned at the time in Santa Monica. Because I hadn't been back in 15 years. So I started taking windows and doors out of these houses. Construction sites. Salvaging before the wrecking ball. Salvaging. Right. Salvaging. And then one time, a contractor caught me And was really pissed. Why? It's just... I think if I had gotten injured or... I was going in there with like full-on hammers and crowbars.
Okay.
You know, like getting through fences.
That's where the blood comes from.
Well, no, no.
That's a different story.
But anyway, so that's kind of the origin of that is I was just kind of trying to find something to do with my hands. And... Oddly enough, I had a garage that opened up in Santa Monica onto a main street and I just kind of had nice tatami mats and a heavy bag. That's what I thought I was going to be doing. But then, you know, heavy bag comes down and I start putting these windows and doors up like on the walls and painting them and installing lights and these computer screens. I figured out how to separate the computer screens and do all this stuff. So I started rotating imagery and sound. I don't know what I was doing. I don't know what I was doing. And then I got mistaken as an artist. And literally a guy walks down the street and he goes, are you an artist?
And I remember going, I'm a martial artist. Then he goes, well, did you make these? I'm like, yeah. He's like, have you shown them? I'm like, no.
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Chapters
8 chapters
1
How did Jeremy Corbell’s near-death illness lead him from martial arts to making art with salvaged materials and even his own blood?
0:00–6:19
2
What happened during Jeremy’s travels to Nepal and India that changed his life and almost killed him?
6:19–14:22
3
How did a chance move into photography open doors to Sharon Tate projects and relationships with John Lear and Bob Lazar?
14:22–1:16:03
4
How did Jeremy win Bob Lazar’s trust and capture his first on-camera confession?
1:16:03–1:19:47
5
Why do Jeremy and George withhold or redact UAP footage for national security and source protection?
1:19:47–1:26:10
6
How have government agencies, contractors, and intelligence contacts shaped UAP investigations and disclosures?
1:26:10–2:36:01
7
What are theories about glowing orbs and 'intelligent plasmoids' in UFO reports?
2:36:01–2:37:07
8
What evidence and firsthand accounts explain the Tic Tac and 2019 Navy swarms?
2:37:07–4:00:35
Speakers
4 identifiedMore from The Why Files: Operation Podcast
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