Send us a textCover image by Stephen Tromans: Climate Innocence, 1957, oil on board, 20x24 inchesTo view Stephen Tromans' work, please visit Mr. Tromans' website and Instagram as well as Ely Cathedral's feature of his Golgotha series, the Cambridge Drawing Society's discussion of his work and the Gallery Holt.Show Notes:1:30 Troman’s choice to go into law, specifically environmental law2:45 Lord Denning3:30 Troman’s work as a painter4:30 Diploma in oil painting5:00 Influenced by Turner, Caravaggio, Goya5:30 Scotland’s Joan Eardley5:40 Royal Academician Fred Cuming6:30 mixed media and collage6:50 Hong Kong urbanscapes9:20 Golgotha series12:00 Ely Cathedral15:00 feedback from Golgotha series15:45 Ukrainian children and their toys as a focus in Golgotha series18:00 future cathedral venues for Golgotha series18:45 current work20:20 environmentally-related art22:00 Climate Innocence, 1957 - acceptance of pollution23:00 Troman’s process24:00 art’s function to speak to social issues26:00 compliments between legal and creative work28:50 legacy31:30 definition of justice 34:15 how Troman’s artwork speaks to justice35:15 the power of Picasso’s GuernicaPlease share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

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