Send us a textTo learn more, please visit MARI's website.Show Notes4:00 German culture of memory5:00 MARI-first collaboration between German public institutions and Holocaust victims7:00 Historical question addressed about Rudolph Mosse as art lover8:50 location of objects related to politicians and individuals in culture scene of Mosse’s day 11:00 Hanns Fechner’s portrait of German writer Theodor Fontane held by daughter of Nazi finance Minister Hjalmar Schacht16:00 Venus Chasing Cupid-sculpture localized during first phase of MARI17:00 sculpture not included in Nazi arranged auction of Mosse collection19:00 MARI contact with those believed to hold works from Mosse Collection20:30 Tel Aviv Museum – tapastries and Jozef Israels’ From Darkness to Light25:00 Historical justice achieved by making history visible 26:00 MARI’s impact-to prompt scrutiny of provenance of collections27:30 size of Mosse’s collection28:30 MARI’s first phase began in early 201731:00 MARI’s staff assignment34:00 Hoffmann’s work on Gurlitt project as researcher and task force member35:00 portal database for MARI – starts with resources not objects40:00 Hoffmann began first academic training program for provenance research in 201141:30 Adolph Menzel painting – no trace since 1934 auction43:15 expertize outside of MARI for Eyptian antiquities and Benin Bronzes46:30 Gurlitt work50:00 Frie University’s degenerate art program52:30 Hoffman’s work as Brücke Museum curator54:40 International Circle of Provenance Research member59:50 exhibitions that show provenance research1:02:00 Artist Maria Eichhorn 1:03:00 Hoffmann curated 2019 exhibition Escape Into Art? 1:06:00 future of degenerate artists Please share your comments and/or questions at [email protected] by Toulme.To hear more episodes, please visit Warfare of Art and Law podcast's website.To leave questions or comments about this or other episodes of the podcast and/or for information about joining the 2ND Saturday discussion on art, culture and justice, please message me at [email protected]. Thanks so much for listening!© Stephanie Drawdy [2025]

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