We started this series with color. Now, with several episodes of painting experience behind us, we come back to it — and it looks different from here.This episode draws from my second color workshop - where we limit the paints we work with. I start with an idea that genuinely blew my mind when I first realized it: the primary colors we all learned in grade school aren't the real primary colors. We also look at what happens when you deliberately limit your palette. I've painted with six paints, with four, and with just three. What I've found is that a limited palette doesn't just create harmony and cohesion in a painting — it grows you as a color mixer. And there's an exercise: invent colors in your head and try to mix them. Olive green. Straw gold. Terra cotta. Navy blue. Red wine. Sepia. It sounds simple. It's kind of mind-blowing. And it is how you actually learn to mix color — by doing it.I periodically offer Color II - Limiting, Layering and Claiming Your Colors in person in the studio and live online. You can sign up for my email newlsetters on my website: https://www.lifeinfullcolor.com, where you can also see all my art and the workshops I offer, incuding this one!Cara Brown - Watercolorist - Teacher - www.lifeinfullcolor.com...where you can find all my paintings, workshop offerings and the entire archive of my writing.

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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