Berthe Morisot was among the most successful French Impressionist painters during her lifetime. Today she is less well known than her peers like Claude Monet and Pierre-Auguste Renoir, but in the 19th century, she was the more bankable artist. She was accepted in the Paris Salon, but ultimately she left the salon to participate in the first exhibition of the Impressionists. In this episode we discussed Morisot's painting The Cradle which depicts her sister Edma looking at her baby in a cradle. Both Berthe and Edma were tremendously talented painters who found success exhibiting their work. Edma got married and stopped painting to take on the traditional roles as a wife and mother while Berthe was the breadwinner in her family maintaining her career while her husband looked after their kid. Fill out the Airwave Media Network survey to give me feedback and get a chance to win a $500 gift card: www.surveymonkey.com/r/airwave Check out my other podcast Art Smart Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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