Claude Monet loved his garden and made about 250 paintings of water lilies. He and his Impressionist contemporaries were focused on color, light, and how our eyes perceive the world, but I would say technology was also central to the development. In his paintings of the train station, The Gare Saint Lazare, Monet gives us a glimpse of iron and glass station filled with the smoke of the steam engines. One critic wrote, “Unfortunately thick smoke escaping from the canvas prevented our seeing the six paintings dedicated to this study.” While the Impressionists were overtly apolitical, there is always a statement made by what is shown and what is not shown. Even if the artist himself or herself strives to be objective simply holding a mirror to their world, which way they aim that mirror matters. Monet shows the steam engine in its element as the subject of the work not merely something in the background. Technology of course drives change in our world. In the middle of the 19th century, painters suddenly had to compete with the camera. As photographs could quickly and easily capture the lines, shapes and proportions of a subject, painters shifted their focus to the color, an element cameras could not capture at that time. The tube of paint and numerous synthetic pigments also came about in the 19th century giving artists easy access to a wider range of colors. As I look at Monet’s use of so many colors, the pinks and blues of the cloud rising from the steam engine, I think of the critics the defenders of the status quo feeling threatened by change. They feel overwhelmed by the subject and begin to choke at the sight of roaring engines filling the space with smoke and they want to look away. They want the grand facades buildings and well-dressed elites walking city streets, not the workers and machines that powered the advancements. Monet though was unwavering. He meticulously studied his subjects at different times and in different seasons to find the beauty of even the smoke and engines in the industrial space. While the critics wanted grand visions of mythology, Monet showed what he and countless others experienced in the real world. Other episodes to listen to: Claude Monet | Water Lilies Pierre-Auguste Renoir | Luncheon of the Boating Party Berthe Morisot | The Cradle Gustave Caillebotte | Paris Street Rainy Day Art Smart: Impressionism & Post Impressionism Arts Madness 2025 Season 11 is all about my Arts Madness Tournament. Once again, I hope you will weigh in on your favorite artists/artworks as we go from 64 down to 1. For this year’s tournament, I put 32 works from the AP Art History list in one bracket, and on the other side, I have 32 artists/works from my personal “Salon des Refusés” that were not included in the curriculum. Voting for Round 1 will begin Monday, February 24. In the meantime, learn about all the different artists/artworks. I will be posting daily mini episodes for 64 days (mostly encore presentations with some updates and new episodes most Mondays). Arts Madness 2025 links: The Brackets Vote in the Current Round Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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