In this episode, I was thrilled to be joind once again by Tim Bogatz, host of Art Ed Radio from The Art of Education University. Writing for The Art of Ed was one of my career and if you want to find my articles, here is a link: https://theartofeducation.edu/author/kylewood/ and fellow art teachers, join Tim, me and thousands of other art teachers on the AOE Community Jacques-Louis David was a foundational figure of the Neoclassical movement, marking a significant departure from the ornate and frivolous Rococo style that dominated 18th-century France. His artistic journey was characterized by a push toward visual languages inspired by the austerity and perceived virtues of Ancient Rome and Greece. David’s personal history was as turbulent as the era he lived in; raised by uncles who were successful architects after his father was killed in a duel, he faced early professional rejection, failing the Prix de Rome several times before finally succeeding in 1774. His radical political involvement during the French Revolution, including his vote to execute Louis XVI and his later role as an artistic authority under Napoleon, deeply influenced his approach to art as a medium for moral and political communication. At the center of David’s portfolio is his 1784 masterpiece, The Oath of the Horatii, a work that exemplifies the Neoclassical ideal of placing patriotism and civic duty above personal or familial ties. The painting depicts a legendary conflict between Rome and the city of Alba Longa, where three brothers from the Horatius family swear an oath to their father to fight to the death for their city. David’s composition utilizes a stark, triptych-like structure created by architectural arches that divide the scene into three distinct groups: the brothers swearing the oath, the father holding the swords, and the grieving women—some of whom are tied by marriage to the opposing side. The work is noted for its dramatic use of linear perspective, a dark, simple background, and a sharp contrast between the rigid, angular forms of the men and the soft, organic curves of the distressed women. Originally commissioned under the king, the painting was eventually adopted as a powerful piece of propaganda by revolutionaries, cementing its status as a landmark of Western art history. Check out my other podcasts Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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