Jean-Michel Basquiat has created some of the most highly valued American paintings ever to go on auction. Basquiat sought to remake art history in his image, and I would say he was successful. His triptych, Horn Players, is one of the artworks required for the AP Art History curriculum studied by American high school students. In the middle of February 1981, a group exhibition opened at P.S.1 in New York. The show featured over a hundred different artists from the underground art scene. There were paintings, drawings, photographs, objects and graffiti all mixed together in an explosive portrait of the post-punk scene. The show was called New York/New Wave and many affectionately referred to it as the armory show of the 80s. The armory show was of course the famous exhibition from 1913 that introduced European modern art to the American audience. This time though, it wasn’t European artists upending the New York gallery scene. This time, the revolution was coming from inside the community. Among the artists on display was a 20 year old by the name of Jean-Michel Basquiat. He had previously made a name for himself as a graffiti artist. Basquiat and his friend Al Diaz created a text-based project SAMO spraypainting messages around new york. They were particularly active in the area where numerous gallery spaces were located. SAMO often sought to be a little bit humorous, but also gives an outsider’s perspective on the art world with phrases like “SAMO AS AN END TO PLAYING ART” or “SAMO FOR THE SO-CALLED AVANT-GARDE”. Check out my other podcasts Art Smart | Rainbow Puppy Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related