The bulk of Olowe’s carvings seem to have been both decorative and functional artworks for the Yoruba kings and prominent families. One of his celebrated works for example is the veranda post that sits in the collection at the Art Institute of Chicago. In that piece we see the elongated neck and oval faces that were a part of his signature style. Traditionally Yoruba artists used scale and proportion to indicate hierarchy. The more important a figure, the larger they are within the composition. The status of the king’s senior wife is shown by her size while the king is seated central to the post. His crown eye level to the viewer and the king sits with his feat up above the ground signifying his transcendent nature. His eyes are cast down expressing a contemplative mood as he looks down on the world beyond. The crown has four ancestral faces signifying the legitimacy of his royal lineage, the divine line and wisdom running through it. Arts Madness Tournament links: Check out the Brackets Tell me which artist you think will win this year's tournament Give a shoutout to your favorite teacher (the teacher who gets the most shoutouts on this form by Feb 27 will get a $50 Amazon gift card) Who ARTed is an Airwave Media Podcast. Connect with me: Website | Twitter | Instagram | Tiktok Support the show: Merch from TeePublic | Buy me a coffee As always you can find images of the work being discussed at www.WhoARTedPodcast.com and of course, please leave a rating or review on your favorite podcast app. You might hear it read out on the show. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ask this episode

“What did the council decide on item 42?” — answered with the speaker and the moment.

Transcript

Related