Yayoi Kusama is one of the most popular contemporary artists with her infinity rooms drawing massive crowds wherever they are installed. In the infinity rooms, the walls are covered in mirrors creating reflections of reflections that seem to go on forever. This idea of playing with reflections was a fixture in Kusama’s work pretty much from the start. As I covered in my previous episode about Yayoi Kusama, she grew up in Japan where her family owned a nursery. She was surrounded by plans and looked at nature around her imagining not only what was beyond the mountains in the landscape, but what was inside the plants, the rocks, the dirt. This is where we get her signature polka dots. She refers to the repeated dots as Infiniti nets, a visualization of the structures that make up all of the things in our world and even our universe. It seems fitting that in 1966, she created Narcissus Garden to catapult her career to the next level. The piece consisted of an installation of 1,500 reflective spheres. It feels both personal to Kusama and simultaneously generic as the woman who grew up at her family's garden nursery installed a garden of mass-produced mirrored spheres. In 1966, she accompanied the installation with a performance as she dressed in a gold kimono and sold the mirrored balls for $2 each. Check out my other podcasts Art Smart | Rainbow Putty Science Lab Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected] Learn more about your ad choices. Visit megaphone.fm/adchoices

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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