Episode 48 Have you ever thought about the parallels between writing True Crime and Fiction Writing? That is what this episode is all about. I had the opportunity to talk with investigative journalist and true crime writer Doug Kari to explore the similarities in writing these two genres and dig into his investigative process as he researched and wrote The Berman Murders. Doug’s meticulous research and storytelling techniques bring his true crime story to life. It also mirrors the narrative drive and character development in fiction. Whether you’re a fiction writer or a true crime enthusiast, this episode offers unique insights into the art of weaving fact into compelling narratives. Tune in to explore how the worlds of true crime and fiction converge, and gain valuable tips to enhance your own writing journey. Books and Other Resources Mentioned in this Episode: Visit Doug Kari's website: https://www.dougkari.com/author/doug-kari/ Buy The Berman Murders: https://amzn.to/3XYVW7Z Eryk Pruitt's Something Bad Wrong: https://amzn.to/3VXDAS5 The Long Dance Podcast: https://longdance.libsyn.com/ The Legend Books: https://amzn.to/4cXq5IV Editing Services: https://writersparkacademy.com/copywriting-and-content-creation/freelance-editing-packages/ Additional Links: * Visit WriterSpark Academy: http://www.writersparkacademy.com * WriterSpark Book Cover Design: https://writersparkbookcovers.com/ * Learn about WriterSpark Course: https://writersparkwritingacademy.teachable.com ✨ Self-Paced Writing Courses: https://writersparkwritingacademy.teachable.com/ ✨ Get updates on business, creativity, and the craft of writing by following this podcast and subscribing to the WriterSpark newsletter SIGN UP: https://writersparkacademy.com/https://writersparkacademy.com/newsletter-signup/ Thanks for tuning in to The WriterSpark Podcast! Learn more about the host, Melissa Bourbon: http://melissabourbon.com ✨ Share the love! Forward this podcast to your writer friends. ✨

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“What did the council decide on item 42?” — answered with the speaker and the moment.

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